Kathryn Hahn

Kathryn Hahn in Bad Words

Cinema has no shortage of great sex scenes. Just last week we saw a prime example of steamy hate sex from 300: Rise of an Empire. Eva Green’s snarling dominance over a soldier will never be forgotten. It’s up there with some of the finest sexual encounters in history: Kevin Costner going at it while driving in Revenge; Mulholland Drive‘s much talked about piece of lovemaking; the opening shot of Before the Devil Knows You’re Dead; and the orgy in Eyes Wide Shut. Someone all those scenes were seriously lacking: Kathryn Hahn. If Kubrick wanted to turn the heat up during that orgy, then he would’ve thrown Hahn into the mix. She’s proven herself as more than capable when it comes to making sex much funnier and even more awkward. Who could forget when Alice (Hahn) rode Dan (John C. Reilly) like an animal in Step Brothers? If that didn’t do it for you, then Alice’s “stay golden, pony boy” goodbye sure did. We discussed Hahn’s finer moments of acting at the Bad Words press day during SXSW. Here’s what she had to say about how awkward sex makes her career come full circle.


Jennifer Westfeldt Girls

Lena Dunham’s popular television series Girls has already advanced the careers of its four central stars – Dunham, Allison Williams, Zosia Mamet, and Jemima Kirke – but the HBO production has also dedicated plenty of screen time to a bevy of other talented ladies, even those not necessarily known for their acting work. Dunham’s series has long appeared to be compelled to cast the coolest female talents for a variety of guest roles that often quite handily subvert their public and professional personas. Kathryn Hahn had an arc back in the show’s first season as the mother of Jessa’s young babysitting charges who attempts to juggle her career and her family, Rosanna Arquette stopped by for an episode, comedienne Jenny Slate showed up for one, and even Dunham’s artist mom (and Tiny Furniture co-star) Laurie Simmons has played a named character in an ep. Elsewhere, Dunham’s childhood pal Audrey Gelman (who supposedly inspired the overachieving character of Marnie) is a political wonk by trade, but even she has shown up in three episodes of the series (remember her? she played Charlie’s just terrible new girlfriend in the first season?). 



Once an actor stars in something that’s widely loved enough among Internet circles to be considered as having “geek cred,” they earn quite a bit of leeway when it comes to judgment over whatever lame projects that they might do afterward. We’ve seen this phenomenon take place when everyone was willing to sit through six seasons of Castle without doing much complaining, just because of how much they loved Nathan Fillion in Firefly. We’ve seen it when people have actually been willing to buy tickets to go see Donald Glover rap. There’s perhaps been no bigger example of someone being handed a nerd cred get out of jail free card in the history of modern entertainment than Jason Bateman coming off of starring in Arrested Development though. AD was basically like nerd catnip—it was funny, it was weird, it was underappreciated, it was intricately self-referential—and after Bateman’s turn as the series’ awkward straight man, Michael Bluth, he suddenly found himself anointed as the new comedy geek Jesus, after experiencing a period where he was being looked at as something of a has-been—an answer to an 80s pop culture trivia question. Unfortunately for everyone though, Bateman’s career since AD was cancelled has also become basically the most egregious example of someone pushing that nerd cred leeway past its breaking point that we’ve ever seen, to the point where his face showing up in a movie trailer has now become the sort of thing that forces former fans to unconsciously let out […]



It’s likely that you’ve been taught all your life that nothing good could come of bringing the girl who gives you lap dances home and setting her up as the nanny of your child, but the debut feature from writer/director Jill Soloway, Afternoon Delight, seems to make a case for the opposite being true. In it the hilarious Kathryn Hahn plays a housewife who is dissatisfied with her sex life—probably because her husband is played by professional drip, Josh Radnor—so she decides to make an evening trip to the local strip club in order to spice things up. While there she receives a lap dance from a troubled youth played by Juno Temple, and quite unexpectedly the two get thrust into a relationship soon after. In addition to being a comedy of manners wherein a “full-service sex worker” moves into a relatively well-adjusted home, Afternoon Delight also appears to sprinkle in quite a few bits of dramatic intrigue via the Hahn character’s marital woes and the Temple character’s troubled past. Plus, it gives Jane Lynch a prominent role and profits off of letting her do that thing she does, as well. But, honestly, everyone was probably already sold at Juno Temple giving Kathryn Hahn a lap dance, so let’s stop the jibber-jabber and just take a look at what the trailer has to offer.


Nicolas Cage

What is Casting Couch? It’s your Monday look at all of the great work casting agents and PR people did over the weekend to keep those Hollywood gears turning. UPDATED: We dreamed too soon, kids. It seems like Sylvester Stallone is fully committed to his experiment of figuring out how many big name celebrities have to be packed into an Expendables movie before one of them actually becomes interesting. The latest news regarding his quest (found on Stallone’s Facebook page by JoBlo) is that Nicolas Cage has been confirmed for a role in The Expendables 3, and that Harrison Ford, Wesley Snipes, and Mickey Rourke are the names he intends on recruiting next. You keep on trucking there, Mr. Stallone. With the addition of just five or ten more celebrities, The Expendables 3 is bound to be the one that finally gets out of first gear and actually becomes a decent action movie. We have faith!


Director George Clooney

What is Casting Couch? Proof that not everyone’s tracking Hurricane Sandy’s path on Twitter. Some are still out there casting movies. The big casting news over the weekend was all of the big names that were announced for George Clooney’s next project as a director, The Monuments Men. Deadline had the scoop that this period drama about a group of art historians and museum curators trying to recover important and historical works from the clutches of the Nazis is going to star names like Bill Murray, Daniel Craig, Cate Blanchett, Jean Dujardin, John Goodman, Hugh Bonneville, and Bob Balaban. As far as I know none of these people can even speak German, but you’ve still got to look at that list and be impressed. You could cast this crew as an office full of telemarketers and everyone would still watch the movie, making them heroes during the dying days of the Nazi regime is just icing on the cake.


The Newsroom

Two nights ago, Aaron Sorkin’s heavily-anticipated and rather polarizing new show The Newsroom aired its debut on HBO. With the pilot’s central focus on the BP oilrig explosion, the premium cable network has established itself (alongside with their recent TV movies) as the primary venue for dramatizing recent political history. However, other contemporary television shows have addressed political issues well beyond the headlines of the past few years. In this election year, it seems that TV comedies and dramas from several networks have a surprising amount to say about the political process in a way that resonates with this uncertain, often frustrating moment. Here’s how The Newsroom stacks up against a triumvirate of other TV shows with overtly political themes…


There is virtually no more Walt Whitman past this point. Enjoy.

The director and producer behind The Goods discuss 19th-century American bearded philosophy, the joy of telling jokes at funerals, and talk about the dangers of doing comedy.



Ferrell and Reilly have such chemistry together, and their ability to go over the top makes this film utterly ludicrous, horridly uncomfortable and ridiculously funny.

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published: 01.24.2015
published: 01.24.2015
published: 01.24.2015
published: 01.23.2015

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