Director John Lee Hancock won the hearts of much of North America with 2009’s The Blind Side. Whether the movie was enjoyable or not, there’s no denying the impact it had that year. Come December there’s a chance Hancock’s newest film, Saving Mr. Banks, will strike the same chord with audiences. It’s certainly deserving of that same success. Author P.L. Travers (Emma Thompson), the woman behind Mary Poppins, has been turning down Walt Disney’s (Tom Hanks) advances for over twenty years. It’s the book rights he’s interested in, but she’s afraid he’ll turn it into another one of his goofy animated movies instead of appreciating the personal story Travers wrote it as. After discovering that she’s running out of money, Travers begins to change her tune. From that point on, we see plenty of back and forth between her and Walt, screenwriter Don DaGradi (Bradley Whitford), and the two men behind the picture’s music, Richard Sherman (Jason Schwartzman) and Robert Sherman (B.J. Novak). The scenes with Travers, the Sherman brothers, and DaGradi sum up the movie. During their creative meetings with Travers, they have to win her over with costume designs, songs, and every nut and bolt of the script. All of their scenes are in a small contained room, and each one of them is a delight. They’re funny and sharp. There’s nothing grand about these moments but they’re naturally charismatic, thanks to the actors’ collective charm.