Director/writer Zack Parker‘s plot-heavy thriller Proxy opens on Esther (Alexia Rasmussen), a young, expecting mother at her doctor’s appointment. Good news follows her down the street and into an alley where bad news finds her. She’s knocked unconscious, and her pregnant stomach is savagely attacked by someone with a brick, and it’s exactly as shocking and uncomfortable a scene as you’d expect. The entire first hour of the film relies on the pure dramatic value of this scene to keep your interest, and, to be fair, it does. It’s a challenge though as Esther’s character develops painstakingly slowly, meandering around her apartment until she finally reaches out at a support group where she meets another mother, Melanie (Alexa Havins), who has lost her son. About halfway through the film, a major plot twist reveals that the two women are alike in that they have some serious, underlying issues. The complex characters become a bit confusing, and thanks to either a few errors in continuity or possibly intentionally vague editing decisions, much of the story is muddled. Proxy is the type of film that slowly reveals answers over time, but Parker and co-writer Kevin Donner seem to have flat-out forgotten to answer some necessary questions, despite the space that the film’s two-hour running time allows.