Jimmy Stewart


One of the most famous films that Jimmy Stewart ever had to stand to the point of exhaustion in was Frank Capra’s Mr. Smith Goes to Washington. Made almost a decade before his even more famous yet less senatorial It’s a Wonderful Life, the film tells the story of a small-town man who is appointed as a U.S. Senator to replace one that has suddenly died. Stewart stars as Jefferson Smith, an idealistic man who takes his new job almost too seriously. However, Smith’s wide-eyed wonder at the seat of government is soon rocked by political corruption and dirty dealings. Smith tries to arrange the use of public land for boy rangers in his home state, causing a problem for the building of a dam in the same area — a dam that’s a critical part of a bill being pursued by local tycoon and political heavy Jim Taylor (Edward Arnold) who has the state’s other Senator, Joseph Paine (Claude Rains), as well as the media back home, in his pocket. When Smith sees he’s being railroaded out of the process, his secretary Clarissa Saunders (Jean Arthur) helps him use the political machine to uncover the truth. Smith is forced to take the Senate floor, beginning a one-man filibuster to delay the voting on the bill until the people from his home state cry out to support his cause. Without pink sneakers, Smith makes it just shy of 24 hours before collapsing from exhaustion. So it got us wondering: can a […]


Vertigo - Alfred Hitchcock

Looking for any excuse, Landon Palmer and Cole Abaius are using the Sight & Sound poll results as a reason to take different angles on the greatest movies of all time. Every week, they’ll discuss another entry in the list, dissecting old favorites from odd angles, discovering movies they haven’t seen before and asking you to join in on the conversation. Of course it helps if you’ve seen the movie because there will be plenty of spoilers. This week, they attempt to avoid the stigma that comes with being number one while considering the flawed hero of Alfred Hitchcock‘s Vertigo. Is the sleazy way we see Scottie born solely from his introduction? Was the film unique in its time for making the audience feel the main character’s obsessions?


Nigel Tufnel Goes to 11

What is Movie News After Dark? It’s a nightly movie news column that would like to lend apologies to those who despise brevity. Tonight’s just not a quantity kind of night. It is, however, a quality kind of night. Quentin Tarantino is now officially on a casting binge for Django Unchained, reportedly signing up Sacha Baron Cohen to play a gambler who buys Kerry Washington as his companion, thus angering the titular slave played by Jamie Foxx. I love it when he plays the villain.


Vintage Trailer Logo

John Ford did Westerns the way Michael Bay does explosions. With a remarkable amount of power and skill. The Man Who Shot Liberty Valance unites John Wayne, Jimmy Stewart, Vera Miles and Lee Marvin all under the directing prowess of the master, and the result is a hell of a ride through a dry gulch with one bullet left in the chamber. Is it a fantastic movie? Yes. But it’s also notable for being the first time that John Wayne ever calls someone “Pilgrim,” on screen, and that’s reason enough to celebrate right there.


The Glenn Miller Story

Every Sunday, Film School Rejects presents a film that was made before you were born and tells you why you should like it. This week, Old Ass Movies presents the story of the most iconic big band leader of all time from his early days of struggle, through his meteoric rise in the charts, all the way to his involvement with the USO in WWII. It’s a (slightly) fictional take on a true story full of trumpet blasts, crisp high hats, and thundering toe taps from a crowd that just can’t get enough of the stuff. Glenn Miller’s story, like maybe all great musicians, starts in a pawn shop.



Will the young festival’s move to a ski resort in the dead of winter be counter to its celebration of small, independent film?



To movie critics (including myself): yer doin’ it wrong.



Literally. The entire film will be Steven Spielberg wrestling an invisible rabbit in his living room.



Every Sunday, Film School Rejects presents a movie that was made before you were born and tells you why you should like it. This week, Old Ass Movies presents: No Time for Comedy (1940).



Modern film geeks seem to complain a lot about remakes. Whether they are needless, obvious commercialism for commercialism’s sake, or flat out assaulting childhoods, it’s a safe bet to rail on any film that’s been done before. Would we have felt the same way in 1956 when Alfred Hitchcock redid his own film, The Man Who Knew Too Much?


It’s Christmas Eve. A desperate man is suicidal, certain that his entire life has been worthless, and he’s facing a ruinous scandal. But heaven has better things in store for George Bailey.

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published: 01.31.2015
published: 01.30.2015
published: 01.30.2015
published: 01.29.2015

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