Jesper Christensen

The Debt is a painstakingly old-fashioned drama that’s far more interested in the nuances of human behavior than exploitation or pyrotechnics. At the same time, in telling the parallel stories of Mossad agents hunting a Nazi doctor in East Berlin circa 1966 and those same agents dealing with the consequences of that mission 30 years later, John Madden’s film evokes the existential themes that lie at the heart of Israel’s creation. To straddle both those worlds within the constraints of a tightly-wound thriller is a considerable accomplishment. And this eloquent remake of a 2007 Israeli picture with the same name harkens back to the old-fashioned aesthetics of genre movies that mean something, films that are unafraid of drawing out big ideas between familiar lines. The film stars Helen Mirren, Tom Wilkinson and Ciarán Hinds as the older version of agents Rachel Singer, Stephan Gold and David Peretz, who discover that the book has not been written on their mission of 30+ years ago with the finality they thought it had. Jessica Chastain, Martin Csokas and Sam Worthington play their younger selves, tracking the sadistic Doktor Bernhardt (Jesper Christensen) astride the Iron Curtain.


Why are spies so sad and mopey now? Where are the cool, suave, and untouchable secret agents? Lately, nowhere to be found on the big screen. Director John Madden certainly is not bringing back the era of smooth heroes with his latest film, The Debt. The director’s small, claustrophobic remake focuses on lost individuals who display more heartache and moral uncertainty than your typical heroics. Madden did not make a film about a secret mission gone awry, but a film about regret and the power of lies. A few years ago director Matthew Vaughn was attached to helm the thriller, and if he ended up behind the camera, The Debt would be a very different film. Instead of going for a stylish and poppy feel, the Shakespeare in Love filmmaker went with something far more claustrophobic and full of moral uncertainty. As a result, Madden made something many, many notches above Kill Shot in the quality department. Here is what director John Madden had to say about his three damaged Mossad agents, taking a serious matter seriously, and the power of regret:

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published: 12.23.2014
published: 12.22.2014
published: 12.19.2014

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