Donna Stern (Jenny Slate) has a problem with sharing – specifically, she shares too much when she’s on stage doing stand-up comedy; her act is peppered with scatological humor, jokes about other bodily fluids, and personal information about her romantic life. It’s not something her boyfriend Ryan (Paul Briganti) likes so much, which is probably why he thinks it’s appropriate to break up with her after one of her sets, at the bar where does her comedy, in the joint’s grubby communal bathroom. While staring at his phone. And confessing that he’s been banging her friend Kate. Perhaps Donna’s actual problem is that she’s been saddled with a heartless douchebag boyfriend for quite some time, but all that sharing can’t be helping so much (or can it?). Slate shines as Donna in Gillian Robespierre’s feature debut (Robespierre is also responsible for the film’s screenplay, which she penned with input from Karen Maine, Elisabeth Holm, and Anna Bean), taking what could be a very expected character (a shiftless Brooklyn hipster) and a very standard plotline (after losing her boyfriend, she also loses her job, has a one night stand with a stranger and gets knocked up) into something witty, funny and real. Robespierre’s Obvious Child smacks with relatability, believability and an honesty that’s rare these days, while also tackling a big social issue (that would be abortion) with a grown-up grace and good humor.