Jenna Malone

Sucker Punch feels like Zack Snyder‘s response to all those awkward and sexist nerds he and his cast deal with in Hall-H nearly every year. You know, the ones that can’t help but to shout out how “hot” the actresses are during the panel, and without actually asking any real questions or treating them respectfully. Those nerds are the sideline oppressors of Sucker Punch: the revolting-looking Chef and Mayor, the ones that love seeing their women in degrading and sexualized outfits, but don’t care about how or why they’re in said outfits. As long as they get their joy out of sexy women doing sexy things, and nothing outside the basic titillation, they’ll be happy. This is the subtext that many seem to not talking about from Sucker Punch. Snyder’s work has always been divisive, but never has one of his films been this polarizing, and he knows that. Snyder is well-aware of the response the film has been getting, and he’s the type of self-aware filmmaker who probably expected this type of reaction from day one of shooting. The fact that Sucker Punch isn’t a film for everyone surely must have caused problems along the way, and as Snyder states, the test-screening process was no help in that regard.

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