Jean Renoir

The Rules of the Game

Looking for any excuse, Landon Palmer and Cole Abaius are using the Sight & Sound poll results as a reason to take different angles on the greatest movies of all time. Every week, they’ll discuss another entry in the list, dissecting old favorites from odd angles, discovering movies they haven’t seen before and asking you to join in on the conversation. Of course it helps if you’ve seen the movie because there will be plenty of spoilers. This week, they celebrate the anti-war film that came right before war and successfully caused a riot with satire alone. What rules for life can we learn from Jean Renoir‘s The Rules of the Game?

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Criterion Files

First is a precarious position to be in, for in retrospect you stand in for the entire legacy (or, at least, for inaugurating the legacy) of the thing itself. It’s tough being the first, and can be burdensome. And of the first ten movies that were admitted into the Criterion Collection, there are some confounding choices. The Lady Vanishes (Spine #3), for instance, is a great film, but hardly amongst Hitchcock’s best (or even his best British work). It’s an…interesting choice for the first Hitchcock film in the DVD collection that would come to define 21st century cinephilia. But then again, way back in 1998, whose to say that the Criterion Collection had any idea the reputation it would cultivate? Criterion’s choices for its first two releases, however, are pitch-perfect. Akira Kurosawa’s Seven Samurai, the film that defined his legacy and had a greater influence on world cinema than even his Rashomon, sits prominently at Spine #2. And Jean Renoir’s anti-war, prewar masterpiece, Grand Illusion, sits deservedly in Criterion’s #1 spot, with the weight of important classic and contemporary cinema resting comfortably on its shoulders. Grand Illusion may admittedly not have the empirical evidence of definitive influence of Seven Samurai (in other words, it has yet to be remade into a Western). But that is perhaps to its benefit. While Kurosawa made tens of samurai films, Renoir never made another movie quite like Grand Illusion, and the film still occupies a singular place in the history of war cinema – […]

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Citizen Kane

Landon Palmer takes a look at one of the most hotly debated topics in the history of film — that of the best there ever was, and whether or not Citizen Kane is it.

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cultwarrior_decadeinreview

This week’s Culture Warrior gives an exhaustive review of the decade that you won’t find anywhere else on the Interwebs.

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published: 12.19.2014
A-
published: 12.18.2014
C-
published: 12.17.2014
B+
published: 12.15.2014
B


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