Javier Gullon

Joana Prats is the daughter of a genius in magnification technology in 19th century Spain. Her father owns a company that has just developed the world’s most powerful hand-sized sniper scope. Dr. Prats knowing the danger of releasing such technology has kept the formula a secret and vowed not to put the scope into production. When the man passes he leaves the company in monetary trouble and in the hands of his right-hand man, the same man promised his daughter’s hand in marriage. The company being without many options has to desperately attempt to attain the secret of the formula to the undeveloped scope and they believe Joana may have the key.

The only problem is that Joana has a peculiar condition called Agnosia – an affliction in which she has an inability to accurately recognize familiar faces and locations. The people in desperate need of the formula derive an elaborate scheme to use this condition to their advantage in the hopes of tricking Joana into divulging the information. That is, if she even knows it.

In the six year history of Fantastic Fest there is probably not a more well-represented country, or filmmaker community, than the Spanish. They’re consistently some of the most complex and well-made pictures each and every year. So, needless to say, Agnosia which is the latest film from first year Fantastic Fest alumnus Eugenio Mira and scripted by the co-screenwriter of The Devil’s Backbone was one of the most highly anticipated of this year’s lineup.

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Foreign Objects travels the world of international cinema each week to look for films worth visiting. So renew your passport, get your shots, and brush up on the local age of legal consent, this week we’re heading to… Spain!

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published: 12.19.2014
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published: 12.18.2014
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published: 12.17.2014
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