james spader

The Fall - Lee Pace

Sometimes Hollywood charms us and hypnotizes us with its magic. And sometimes it’s so damned capricious with talent that you want to start a national shin-kicking campaign to change the tide. Between celebrities built up and then thrust into obscurity, and talents that never quite see the light of fame, Hollywood is a wasteland of actors who could give the current who’s who a run for their dramatic money. The lucky few get that extra ten minutes of fame that turns them into a split-second repeat whirlwind a la Mickey Rourke, but most live the life of a character actor with the occasional reminder role, or the television guest star who makes Kevin Bacon’s Hollywood web seem a little smaller. Here are nine of the many, the ones that have had me grumbling about their trajectories in recent months:

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James Spader

In news that makes perfect sense when you think about it, Marvel has announced that James Spader has been cast as the maniacal sentient robot Ultron in Avengers: Age of Ultron. This comes as a different sort of role for the actor, who generally plays maniacal human beings. Marvel did not reveal whether or not Spader would be performing motion-capture, as Mark Ruffalo does to play The Hulk or Vin Diesel will do for Groot in Guardians of the Galaxy, or just providing his voice to the character. Regardless, it’s sure to be unnerving. Slap a cardboard box robot costume on Spader and it would probably still be an effective villain. Spader seems well-suited for the role, which writer-director Joss Whedon modified just a bit (as our own Scott Beggs recently wrote about). Think of Ultron as artificial intelligence with a God complex. He’s a robot with feelings. Horrible, horrible feelings. But he’s also no longer magical: “He’s always trying to destroy the Avengers, goddamn it, he’s got a bee in his bonnet, Whedon said. “He’s not a happy guy, which means he’s an interesting guy. He’s got pain. And the way that manifests is not going to be standard robot stuff. So we’ll take away some of those powers because at some point everybody becomes magic, and I already have someone [a new character, Scarlet Witch] who’s a witch. As a character I love him because he’s so pissed off.”

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A Look Back at the Cinematic Facial Hair of 2012

The movies released in 2012 have been notable for many reasons, impacting or reflecting news events both positively and negatively. It’s also seen new innovations, the most notable being the first release of a film in 48 frames per second. However, cinematic historians will also look back on 2012 as being a banner year for facial hair. The entire crew of Film School Rejects relishes glorious facial hair (and yes, that also includes the ladies on staff). We all wish we could have half the style that characters in the movies this year displayed on their lips, chins and cheeks. Now, as the year draws to a close, we reminisce on the many styles we’ve seen on movie screens in 2012, and maybe give some tips on how to grow your own face so glorious.

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I think we all know each other well enough now. Yeah? Let’s talk fetishes. When I took the position of Reel Sex columnist the first story idea that sprung to mind revolved around BDSM culture. I’ve always been fascinated with the back and forth of this lifestyle, and with so many examples of light to moderate to down-right kinky in mainstream cinema it’s not difficult to find something that everyone can enjoy. Some of the films springing to mind right off the bat are ones we’ve looked at before, like 2002’s Secretary (which we will explore more in depth below), but there are so many more that established the base of mainstream BDSM culture in cinema. Here is just a small sample of what to expect before you dive, gag-ball deep, into some of the most controversially kinky films.

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Culture Warrior

Episodes and seasons and weeks after its inspiration and its humor have peaked, I still continue to watch new episodes of The Office week in and week out. I don’t know why – I never do this with dramatic shows, only with comedies – but I tend to stick with comedy shows whose legacy I appreciate even if their time has passed, either out of respect, blind hope, or simply the desire to have some noise in the room while I take a break to eat a meal or fold laundry. While The Office certainly isn’t what it used to be, even before Steve Carell left, it’s still an inoffensive and enjoyable way to pass some time. I can’t deny that the affinity I developed for the show’s characters early on in the series has carried me through a lot of its creative droughts (in other words, I hardly watch it only for its comedy) even as more recent network sitcoms like Modern Family, Community, and (especially) Parks and Recreation have made me LOL significantly more often. But in the bizarre cameos leading up to a strange and dry seventh season finale, The Office seems to have encountered much greater problems than a rudimentary lack of inspiration typical for the (possibly cyclical) lifespan of a long-running television show. The Office seems to have rejected the defining characteristics that made it unique in the first place.

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Daniel Day-Lewis. Tommy Lee Jones. Joseph Gordon-Levitt. Sally Field. Tim Blake Nelson. Hal Holbrook. James Spader. John Hawkes. Steven Spielberg has officially pointed his bat at the far bleachers when it comes to casting his upcoming film Lincoln. It’s telling when the Oscar talk can begin fairly nonchalantly during the casting phase. We already knew that Sally Field was set to play Mary Todd Lincoln and Daniel Day-Lewis would don the top hat and beard to play the iconic 16th President. Now, according to LA Times Blog, Jones has joined the cast as abolitionist congressman Thaddeus Stevens and Gordon-Levitt is on board as Lincoln’s son. While The Conspirator focused on the aftermath of Lincoln’s assassination, Spielberg’s take will look at slavery from the view point of Lincoln and his political advisers. It now has one hell of a cast and no vampire hunting in sight.

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Thanks to Netflix, it has become easier to watch controversial movies at home, but it’s also harder to find the quality. Often times a movie’s description is more misleading than helpful and may lead a person to feel duped once the credits have rolled. Following the website-generated suggestions only takes you so far—or right into the awaiting arms of something too line-crossing for a newbie – and a quick Google search turns up pages and pages of porn. I think it’s time someone makes this search a little less difficult. Yes, there are tons of lists out there compiled by reputable sites detailing which sex-centric movies are the quintessential, the most titillating, and even the most disgusting, but what if you just want to put your toe into the sex movie pool? You can have a movie that’s all about sex but doesn’t have one hot sex scene or a drop of chemistry in it…hello Last Tango in Paris!

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