James Earl Jones

coming to america club

Despite its arrival two years after the surprise success of ‘Crocodile’ Dundee, the similarly premised Coming to America hardly seemed like a knockoff. Sure it is also about a strange foreigner who visits New York City and experiences a comical culture clash, but the 1980s were actually so full of movies of this nature (see also Moscow on the Hudson, Splash, Brother From Another Planet, Big Business, both The Muppets and Jason Take Manhattan and maybe even Big, which along with ‘Crocodile’ Dundee II had just recently come out ahead of this), so it wasn’t a big deal. Besides, with Eddie Murphy at the peak of his career at the time there was no way this thing could fail. This weekend is the 25th anniversary of the release of Coming to America (specifically yesterday), and although a lot of obvious parts are dated (some of which actually make the movie funnier now), it remains a rather timeless metropolitan fairy tale. It’s still one of the top three Murphy comedies (the other two being Trading Places and Beverly Hills Cop, of course), features some amazing make-up work by Rick Baker that would be still be worthy of its Oscar nomination if done today, excellent African dance choreography from little known Paula Abdul and in recent years it provided tons more laughs via the meme in which any dialogue spoken by James Earl Jones is dubbed over scenes of Darth Vader. As ripe as the plot would seem for a remake, hopefully it […]

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Acting is like anything in that success doesn’t come quickly. It’s why we can go back and watch old clips of Brad Pitt whoring for Pringles or Tina Fey talking about the interest rate at Mutual Savings Bank. You have to start somewhere, right? Same goes for motion pictures – for most actors, your first role is going to be some mediocre piece like Return To Horror High or Revenge Of The Creature – but every once in a while an actor or actress starts off at a high point. Here are such high points, awesome first films that you’d be proud to be a part of even if you never did another film ever again.

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This week, Fat Guy Kevin Carr feels the weight of the fall movie season. It’s September, and while the kids are heading back to school, he’s playing hooky with Sarah Jessica Parker chick flicks and yet another not-quite-70s-video-nasty remake. Kevin is consoled by the release of Drive, however, because Albert Brooks as a crime boss makes him chuckle. And his love for 3D and Disney meet head-on in a collision of awesomeness.

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What daring! What arrogance! We salute these trailers! In 1982, John Milius brought Conan the Barbarian to life with questionable authenticity and a gallon or three of body oil. Arnold Schwarzenegger was the only man at the time for the job, and James Earl Jones the only man willing to turn into a snake and fight him. Now there’s a new adaptation coming soon featuring Jason Momoa. He’s got a huge loincloth to fill, but, unlike Schwarzenegger, it’s almost certain he didn’t have to tone down his workout routine in order to wield a sword properly. Arnold was a monster.

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FSR

Kevin Carr reviews this week’s new movies: The Soloist, Earth and Obsessed.

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poster-roscoejenkins.jpg

What the hell happened to Martin Lawrence?

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