James C. Strouse

Beachside Films

Director Jim Strouse is excellent at conveying the emotional range of the adult male experience. It’s not something you might hear a lot, especially in the context of it being refreshing, mostly because just about every movie is delivered from the male perspective. But there’s something a little more special, insightful and tender about Strouse’s work. This began with the pain explored in the John Cusack-led Grace is Gone, continued with the failure management of the Sam Rockwell-led The Winning Season and has come to fruition once again in the fatherhood dramedy People, Places, Things starring Jemaine Clement. Strouse has mastered the art of pairing the right leading man with the perfect emotional story. But there’s so much more to it.


John Krasinski

Frankly, we’re a bit miffed that John Krasinski‘s next directorial effort, The Hollars, is not about an Appalachian family with issues they need to work out or a fake type of currency, but that might just be our own prejudices and personal interests shining through. Instead, the James C. Sprouse-penned screenplay centers on the fictional Hollar family. ZZzzz. Let’s maybe change that. The Hollars will see Krasinski approaching, oddly enough, both Steel Magnolias and Garden State territory. No, really, as Screen Daily reports that producer Tom Rice describes the film as “blending the emotion of Steel Magnolias with the youth-oriented relevance of Garden State,” which is either absolute brilliance or the end of Krasinski’s short-lived directorial career (we’re leaning to the former on this one, though). See? Steel Magnolias and Garden State. It’s right there. Krasinski will also star in the film as John Hollar, a New York artist (we bet he’s hip) who has to return to his Middle American hometown when his mother requires brain surgery. But that’s not all! Hollar will be toting along his lady friend and be forced to face down “his helpless brother, anxiety-prone father and over-eager high school girlfriend” and probably also a bunch of weird, unsettling memories and maybe even a sequence involving juice and/or bad wallpaper.



They might as well call the 2009 Sundance Film Festival the year of Sam Rockwell. With the premiere of The Winning Season, from director James C. Strouse (Grace is Gone), Rockwell has solidified his position as one of the clear winners of this year’s fest.



Sam Rockwell has flashed his talent on-screen. Now he wants to prove he has skills on the hardwood as well in a new film.

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published: 01.31.2015
published: 01.30.2015
published: 01.30.2015
published: 01.29.2015

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