James Badge Dale

ironman3-commentary1

Much like The Avengers last summer, Iron Man 3 was the undisputed box office champion of the season in 2013. Building off the good buzz from The Avengers and the events in the end of that movie, Iron Man 3 offered the new director of the series Shane Black a chance to take Tony Stark to new places. Namely, he got him out of the Iron Man suit and toyed with the notion that Tony Stark was the real hero, even without all the technology. Following up two massive movies before it, and one of the biggest box office successes in history as an ensemble piece, Iron Man 3 was still a bit of a gamble. It paid off for all the parties involved. However, when Black and his co-writer Drew Pearce recorded their commentary to the film, the film had not yet proved itself completely. They had only been open for a week overseas, with the American opening on the horizon. Sure, it was a huge success at that point outside of the U.S., but so was Battleship. Still, Black and Pearce move through the commentary with confidence that it’s a hit, and that gives them the stones to explain why they chose to change some character elements from the original source material and why there were about as many revisions to the scripts as revisions to the Iron Man suit in Tony’s basement. Iron Man 3 comes out on DVD and Blu-ray next week, so take a few […]

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The Lone Ranger 2013

There’s a scene late in Gore Verbinski’s The Lone Ranger in which Rebecca Reid (Ruth Wilson) is bonked on the head by a large piece of coal in the middle of a heart-stopping runaway train sequence. The result of such an action (will her eyes roll back in her head in a dizzy, cartoonish manner? will she be maimed for life by the sharp rock? is there going to be more blood for us to deal with?) seems nothing short of entirely arbitrary. Anything could happen post-coal-bonking, and within the context of The Lone Ranger, that sort of thing isn’t exciting or fun or interesting, it’s distracting and unsettling. It’s also par for the course in a frighteningly (and just plain strangely) uneven attempt at a blockbuster outing. While the criticism that a film is “uneven” is often a meaningless one (don’t all films have their ups and downs? their peaks and valleys?), The Lone Ranger is unavoidably, unabashedly, bizarrely uneven. It’s the only word for it. Tonally, the film seems entirely at war with itself – zinging between cheery hijinks and brutal violence, often within the same scene, and seemingly without any sense of pattern or placement. A PG-13 rating signals that the film is, at the very least, somewhat suitable for tweens, but The Lone Ranger has seemingly sneaked by the MPAA, because it’s one of the bloodiest and most brutal films of its rating in recent memory. A man’s heart is eaten out of his (still beating) […]

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James Badge Dale

There were a surprising amount of baddies in Iron Man 3. Director Shane Black‘s Tony Stark adventure put the idea of multiple villains being a bad idea to rest. One of those villains — or henchman, if you want to get technical — was played by a familiar face, James Badge Dale. Badge Dale chewed on every piece of Black’s dialog and his character’s eccentricities. Even with the technical challenges, it’s a role Badge Dale wanted to let loose with. The actor used to work construction, and he wanted to bring that mentality to the character. A Shane Black henchman isn’t the only role we’ll see James Badge Dale in this summer, as he has both World War Z and The Lone Ranger next on dock, and they represent a chance for the actor to reach an audience that maybe doesn’t frequently watch Shame or The Pacific with their free time. They’re certainly all physical roles, which, according to James Badge Dale, is a part of the job that he loves:

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What is Casting Couch? It’s the casting roundup that has news about Timothy Olyphant putting on cowboy boots again. Read on! Is Kristen Wiig going to be joining the cast of Anchorman: The Legend Continues? Maybe. The Wrap has a report that she’s being looked at to play the love interest (presumably replacing lamp) of Steve Carell’s dimwitted Brick Tamland in Paramount’s upcoming sequel. Of course, this one is far from starting filming (the script isn’t even done yet), and Kristen Wiig is being looked at for essentially every comedy that calls for a female part right now, so it’s hard to say if everyone’s schedules are going to synch up or not when all is said and done. Wiig getting thrown into the mix of the Anchorman crew does sound pretty dang promising though, doesn’t it? We’ll be watching this one for new developments very closely.

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A little over a week ago an Iron Man 3 set photo made its way around the Internet that had fans of comics scratching their collective heads. It showed what appeared to be James Badge Dale wearing the red, white, and blue armor that Norman Osborn donned in the recent comic book, “Dark Avengers,” where he performed superheroics under the name the Iron Patriot. This made no sense, as Osborn is a character that Sony has the exclusive movie rights to, and Dale was already reported as playing a cyborg character named Coldblood-7. The best theory we could come up with at the time was that the characters of Coldblood-7 and the Iron Patriot were getting merged for the upcoming film in order to create a fancy, new uber-villain – but it turns out this isn’t the case at all.

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It’s been no secret that Shane Black’s upcoming entry into the Iron Man franchise has quite a few villains incorporated into its plot. Ben Kingsley is in the film as a shadowy string puller who may or may not be a version of classic Iron Man villain the Mandarin, Guy Pearce is playing the scientist who invents the dangerous and tech-based Extremis virus, and James Badge Dale has been recruited to play a guy named Eric Savin who, in the comics, gets turned into a cyborg named Coldblood. That’s quite a few heads for Tony Stark to bust already, so why is SuperHeroHype reporting that yet another Iron Man character, the Iron Patriot, is also going to be featured in the film? Before any theories can be concocted, first it’s necessary to give a rundown on who exactly the Iron Patriot is. In the comic books, there was recently a storyline where Spider-Man villain Norman Osborn took control of S.H.I.E.L.D. and put together his own dark version of The Avengers, which included Osborn himself wearing a version of Tony Stark’s Iron Man armor that was all painted up like the American flag to give people warm and fuzzy Captain America feelings. It was a nefarious plot that might make for a good superhero movie, if not for the fact that Norman Osborn is a Spider-Man character, the rights of which are still in the clutches of Sony…aren’t they?

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You know James Badge Dale, you just might not know that you know him. The actor has popped up in key supporting roles in films like The Departed, The Conspirator, and Shame, while also appearing in shows like 24, Rescue Me, Rubicon, and The Pacific mini-series, but it looks like Dale is about to rocket into the superhero stratosphere. Deadline Malibu reports that Dale is in talks to play a villain named Savin in Shane Black‘s upcoming Iron Man 3. While Ben Kingsley has been set as the film’s principle villain (though many are still arguing over whether or not he will be The Mandarin), it looks like the film needs another baddie to make Robert Downey Jr.‘s life harder. The outlet provides only the barest of details regarding the character, but over at /Film, Russ Fischer is guessing that he “is likely a version of Lieutenant-Colonel Eric Savin, an Army officer who debuted in Marvel comics pages in the late ’80s and was quickly transformed into a cybernetic mercenary called Coldblood-7. Think of him as something like the Marvel Comics version of RoboCop, at least from the perspective of appearance and physical makeup.” While Savin is a “relatively minor” character, Fischer also note that “he did show up in the Civil War storyline from a few years back…And the idea of an officer turned into a cybernetic killer by defense technology would fit into the rumors that Iron Man 3 features the Extremis/nanotech storyline.” Sounds like Savin just might […]

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Joe Carnahan

The first reaction of anyone coming out of The Grey probably won’t be, “I bet the director of The A-Team, Smokin’ Aces, and that BMW short Ticker made this!” Joe Carnahan prefers it to be that way. The director’s fifth feature film isn’t a full-blown action romp, but is instead a thrilling meditation on life, death, and survival. (Check out our review here.) Similar to Carnahan’s breakout feature, Narc, The Grey shows all the trappings of a true personal project — the kind of story that a filmmaker had to tell. And, after speaking with Carnahan for 25 minutes, that was clearly the case. From White Jazz to Killing Pablo, when the personable man finds a story that comes from his core, he’s got to get it made. Here’s what Joe Carnahan had to say about the life and death themes of The Grey, writing and portraying real men, and why he never wants to become a “one for them, one for me” filmmaker:

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Kevin Carr

This week, Fat Guy Kevin Carr tapes some alcohol bottles to his knuckles and gets ready to brawl with wolves. Unfortunately, he first drinks all the booze in the bottles and ends up passing out in the snow. When he wakes up, he brushes himself off and heads downtown to climb on the ledge of a tall building. The police are called to try and save him, but Kevin ends up jumping when he learns that Katherine Heigl is brought in to talk him down. Fortunately, Kevin survives the fall and stumbles to the local multiplex to check out this week’s new movies.

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Bruce Wayne in The Dark Knight Rises

What is Movie News After Dark? … um, it’s about movies. And it takes place after the sun goes down. We begin this evening with another new image from The Dark Knight Rises, one of several that worked their way onto the web today thanks to Entertainment Weekly. Unlike all the previously interesting shots from the film, this one does not involve Bane. It’s Bruce Wayne (Christian Bale) standing in front of the bat-suit. I love that bat-suit.

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Material similar to Shame, to break it down immaturely, could easily falter into emotion porn. With a story about a self-loathing sex addict, overwrought drama is easy to give into, even with the slightest lack of subtlety. This could be one of those films where characters are emotionally tortured for the sake of torture, one that revels in its characters problems.  Co-writer and director Steve McQueen, who is surely aware of the dramatic trickiness of Shame, takes a more sensitive and observant approach. McQueen uses his distant and precise framing to create the atmosphere and world Brandon’s created, not to draw attention to himself as a filmmaker. This, among many other topics, is what I recently discussed with the press tour-exhausted filmmaker. Here’s what Steve McQueen had to say about internal writing, powerful expressions, capturing beautiful butterflies, and why films can be important:

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This week, Fat Guy Kevin Carr walks around his apartment naked, rents out hookers of various shapes and sizes then tries to pick up married women on a subway. He figures if it’s good enough for Michael Fassbender in Steve McQueen’s Shame, then it’s good enough for anyone. Of course, this leads Kevin to spending most of the rest of the day weeping in his birthday suit. Shaking off the humiliation, he decides to take in some culture and give Ralph Fiennes’ Coriolanus a gander, being one of them Shakespeare pictures and all. Unfortunately, he never stops giggling about the name of the movie long enough to decipher all of the fancy Elizabethan language, and Kevin ends up weeping again, curled up naked in his shower.

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