Jagten

Pacific Rim

We’re now halfway done with the summer movie season, and thus far, it’s been a good one. This month is the most exciting of the bunch, as July usually is, but June was no slouch. Man of Steel wowed audiences while dividing critics, but best of all, World War Z became the surprise, if modest, hit of the summer. Not only that, director Marc Forster proved the negative buzz wrong with a clever and efficient action thriller. Unfortunately, the same can’t be said for White House Down. Shame on me for not including it on last month’s list, because, according to plenty of trusted sources, it’s a boatload of fun. I still haven’t had the time to see it for myself, but it sounds like the type of self-aware, focused blockbuster Roland Emmerich‘s career has been building up to. Thankfully people turned out for This is the End, so Sony has that going for them. Let’s hope none of these must-see films of July meet the same box-office fate as the rocket launcher-wielding president:

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The Hunt Movie (Jagten)

When a film’s pre-release marketing includes mention of false accusations of pedophilia, and the subsequently unraveling world of  the accused kindergarten assistant, and it has been included in Competition at Cannes, you could be forgiven for expecting an openly provocative project designed for no more than an Ulrich Seidl style rise from the audience. But unlike last year’s festival inclusion Michael, from Austrian director Markus Schleinzer, Jagten or The Hunt in my mother tongue, takes a more subtle approach to the considerably dangerous material, exploring lead character Lucas’ accusation as a harrowing situational horror that crawls under the audiences skin and which is profoundly successful as a slow-burning drama with a biting edge. While the horror of Michael was in the matter of fact way the film presented its protagonist – a pedophile who keeps his young victim captive in a basement prison – in perversely conventional terms, Jagten’s horror is far more artfully conceived, presenting an irresistible What If situation that quickly escalates because of the nature of an accusation and the dangers of gossip and presumption. In the hands of director Thomas Vinterberg, we watch with tangible horror as the cataclysmic waves blossom out from a malicious lie and threaten to swallow up Mads Mikkelsen‘s Lucas.

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After literally days of rampant speculation and fanciful rumor-spreading (on my part), this year’s official line-up for the Cannes 2012 Film Festival has officially been unveiled by officials in the South of France. Officially. Unsurprisingly, and as predicted, my own 13 film wishlist was largely completely wrong – but I did predict a massive four (including the absence, thankfully, of Terrence Malick), and in my defense, Michael Haneke’s Love was the 14th film on my list until I decided to oust it for timing reasons. Brad Pitt, Robert Pattinson and Tom Hardy will battle each other as Killing Them Softly (the awfully renamed adaptation of Cogan’s Trade), Cronenberg’s Cosmopolis and the other needlessly renamed flick, Lawless (why not just keep it as The Wettest County?) compete for the Palme d’Or.

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