Jack Plotnick

Wrong

If you don’t recognize the name Quentin Dupieux at first glance, you may better know him as the totally strange film director who made Rubber, a movie about a car tire that could kill people with its mind. The last time we heard about his latest film, Wrong—which appears to be a movie about a character played by Jack Plotnick losing his dog and discovering more than he was bargaining for during the quest to find him—it was wowing people after playing at Sundance, but it had yet to find itself a North American distribution deal. Now the film is back, and not only does it have a VOD premiere date of February 1 and a limited theatrical release date of March 29, it’s also brought along a fancy new trailer that makes it look a little less like an abstract art film like the first one did, and a little bit more like an absurd though hilarious romp instead. But maybe romp isn’t putting it strongly enough. This trailer takes the rhythms of Plotnick’s character’s experiences and mixes them into a funky electronic beat that’s likely to make you wiggle in your seat while you’re watching it. That’s just fun.

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Bradley Cooper and American Sniper

What is Casting Couch? It’s a daily movie news column that that wants to make you a star, baby. Filmmaker Cameron Crowe hasn’t said much about his next project. We don’t yet have a title or a plot synopsis for it. But what we do know is that it’s said to be similar in tone to things like Almost Famous and Jerry Maguire, and it’s got Emma Stone playing a lead role (and it might just be a rewrite of his Deep Tiki script from years ago). So basically, expect something that lines up with Crowe’s best work and stars one of your favorite actresses. Sounds great. The new news regarding the project is that Crowe is reportedly close to finding his male lead. Deadline Hollywood says that he has his eye on Bradley Cooper, and he’s close to making a deal happen. Bradley Cooper and Emma Stone in a Cameron Crowe movie? Yeah, that should be enough to get the attention of every person of every gender and sexuality ever. Remember how we reported that Christopher Nolan’s regular DP, Wally Pfister, is going to be directing his first movie, it’s going to be called Transcendence, and it’s going to star Johnny Depp? Well, all of that stuff is still true, but the L.A. Times has dug up even more information. Turns out the film is actually going to have three leads, and Pfister is very game to get Christian Bale to sign on as number two of the three. Anyone out there want to see Johnny Depp […]

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With his last film, Rubber, French director Quentin Dupieux proved that he could make a movie that has an inanimate object serving as its main character and have it not only refrain from being completely ridiculous, but actually turn out kind of moody and interesting. His tale of a serial-killing tire wasn’t exactly high art, but it wasn’t the sort of non-self-aware schlock that you might expect from a film with such a ludicrous plot description either. So it’s interesting to see that his new project, Wrong, takes a completely mundane plot and seems to inject it with more craziness than you could shake a stick at. On its surface, Wrong is the story of a man (Jack Plotnick) who loses and then goes on a quest to recover his dog. But, if the film’s new trailer is any indication, said quest doesn’t go at all how he imagined it would. What results is a mind-bending mixture of comedy and thriller that doesn’t seem like it should work on the page, but which looks interesting enough that you have to hope Dupieux has what it takes to pull it off.

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Wrong. The titles serves as both mission statement and admonishment, as Quentin Dupieux‘s latest project exists in a world where the irrational and irregular reign, where clocks tick over from :59 to :60, where the concept of “appropriate” behavior doesn’t seem to exist to anyone, where palm trees turn into pine trees overnight, where typical horror film clangs and bangs ring out at the most odd of moments (giving everything a strange sense of danger). But the world of Wrong is a more focused one than fans of Dupieux might be used to, and the film has more of a standard plot than Dupieux’s previous film (2010′s new classic Rubber), though it’s still unreservedly absurd. The film ostensibly follows Dolph Springer (Jack Plotnick, ever-engaging and just plain game), a somewhat reserved young gentleman whose best friend is his dog, Paul. When Paul goes missing one morning, Dolph falls down the sort of cinematic K-hole that only Dupieux could create. Dolph’s already very strange world suddenly becomes populated with a lovestruck pizza girl (Alexis Dziena), an inept French-Mexican gardener (Eric Judor) who is incapable of explaining what happened to that wacky tree, and a private investigator (Steve Little) whose reasons for being terrible at his job might be less his fault than meet the eye.

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