Jack Kirby

Movies based on true stories are rarely — if even ever — 100% accurate. To make it an engaging story for an audience, obviously some dramatic license must be used. And for the time constraints of a feature, there has to be a good deal of condensing and abridging and in many cases exclusion. For the full accounts of real life, we may have nonfiction books or magazine articles or the Internet, and these more extensive and comprehensive tools are easily accessed after seeing the film in order to get at the greater truth. Movies based on true stories are more like teasers of true stories. And like most advertisements they have to stretch reality to pique our interest. Argo is certainly that kind of teaser. But are people giving Ben Affleck‘s latest too much credit in the accuracy department? I keep reading stuff about how the actor/director aimed for realism (see the post from yesterday about the film’s sound design), which may be the case in terms of tone and technical accomplishments such as period costumes and production design. There is quality to the recreation of time and place, if not all facts. Meanwhile, many critics are calling this film “stranger than fiction,” which is very misleading given just how much fictionalizing went into the script in order for it to have themes and a whole lot of suspense (too much, in my opinion, near the point of feeling like self-parody).

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Science Fiction Land

Anyone who’s seen the trailers for Ben Affleck’s new thriller, Argo, knows that it’s about a real life mission wherein the C.I.A. created a fake science fiction film as a cover for sneaking operatives into Iran and sneaking American hostages out. What not many people know, and what our own Christopher Campbell has brought to our attention over at the Documentary Channel blog, is that the fake movie from Affleck’s film wasn’t fake at all. As a matter of fact, it was, at one time, going to be a pretty big production, and the story of how it fell apart might be just as interesting as the story of how it was used as a tool for the C.I.A.

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When the first public trailer dropped for Joss Whedon’s upcoming Avengers film, it was met with a collective sigh from many, including yours truly. It wasn’t very exciting and the only thing it had going for it was some pedestrian banter that relied solely on the charm of Robert Downey Jr. Even on a visual level, the trailer failed to deliver the scale expected from an Avengers movie. It’s with that attitude that I entered the IGN theater at the New York Comic Con this past Saturday. When the panel started, moderator Chris Hardwick walked out to a crowd that was already coming down from the high of The Walking Dead panel and introduced the film’s producer Kevin Feige. Feige commented on how the teaser just recently dropped, but that it was on the computer and then proceeded to ask the audience if they would like to see it played on the three giant screens in the theater. This was met with great enthusiasm.

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JackKirby

Sarcastic hyperbole aside, the heirs to Jack Kirby have finally realized that there’s some money to be made in this here comic book adaptation business, and they are looking for their piece of the pie.

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published: 12.18.2014
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published: 12.17.2014
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published: 12.15.2014
B
published: 12.12.2014
D+


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