It Felt Like Love

IFC Midnight

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. The Den Liz (Melanie Papalia) has received a grant to study The Den, a popular online video-chat service (like ChatRoulette) that matches up strangers for conversations, interactions and dick pics. After being pranked a few times by bored kids she witnesses what she believes to be a real murder and calls the police. Nothing comes of it, but she’s thereafter harassed by a particular user capable of infiltrating and controlling her laptop. Soon her friends and family are targeted by the unknown assailant and Liz is forced into an online fight with real-world consequences. You have every right and reason to be leery. This horror flick is composed entirely of footage captured on webcams, cell phones, GoPros and more. Even less promising, the images are displayed as video windows on a computer screen. I know. It sounds terrible. But here’s the thing. The Den is a fantastic slice of A/V horror that handily avoids most of the issues the “found footage” format is saddled with again and again. It’s also legitimately scary, creative and features a heroine who grows on you like a sexy, spunky, grad school fungus. [My full review.] [DVD extras: Commentary, behind the scenes, trailer]

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It Felt Like Love

When you are young, summer is supposed to be a fun, laid back time where there are no classes to get up for and no homework to complete, but it can also teeter on boring with long days that can drag when there is little to do. Lila (Gina Piersanti), who we meet staring out at the expanse of the ocean, is spending the summer at the beach with her friend Chiara (Giovanna Salimeni), and Chiara’s boyfriend Patrick (Jesse Cordasco), making Lila the de facto third wheel. At first it seems like Lila does not mind and prefers to simply observe her friend, never giving the impression she is jealous when she is often left sitting on the beach alone while Chiara and Patrick play in the surf. But that all changes when Sammy (Ronen Rubinstein) walks by and her focus shifts.

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sundance survival kit

Whenever Sundance begins again and I prepare to head back to Park City, one word comes to my mind: early. Because every time I have headed off to the snowy mountains that surround this festival, I find myself — and I know many others do as well — setting my alarm for the wee hours to get up, get to the airport, and get to the festival with hopes of making the most of those precious few hours left in the day by the time I arrive. This is especially true for me, as I usually get in on the official third day of the festival and screenings are well under way. But the second I’m here, that early wake up call is a distant memory and it feels like I’m back in a home away from home (granted this home is a bit colder and I have to be even more careful not to slip and fall while walking), getting back into the festival swing of things.

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