Island of Lost Souls

This Week in DVD

Welcome back to This Week In DVD! Lots of new releases today with the common theme being that they’re all worth a watch at the very least. So head on down to your local Hollywood Video and check out Coriolanus, A Necessary Death, Goon and yes, even We Need To Talk About Kevin. Seriously, check out that last one as I need someone, anyone, to validate my opinion that the film is more ridiculous than impressive. As always, if you see something you like, click on the image to buy it. Henning Mankell’s Wallander: Swedish Series Two Chief Inspector Wallander has a knack for solving crimes even as he grows tired of man’s inhumanity towards man in this second Swedish TV series (season) to be based on Henning Mankell’s most famous character. Krister Henriksson stars as the talented but beleaguered detective through thirteen episodes of murder, deceit and drama, and he brings real pathos to the character while still keeping him an engaging but likeable grump. The mysteries are well-constructed and excitingly shot, and they serve as a reminder that our own TV series could benefit from a shorter schedule that allows for more quality over quantity. Now to track down Henriksson’s season one…

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This was a hell of a year in The Criterion Collection. Between films about phantom carriages, angry jurors, beasts and beauties, stranded astronauts, international revolutionaries, and great dictators, Adam Charles and Landon Palmer found their wallets empty and their cinephilic obsessions sated. Here are their eleven favorite releases and upgrades of the year…

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Criterion Files

Flesh for Frankenstein and Blood for Dracula. Island of Lost Souls. The Most Dangerous Game. The Night of the Hunter. The Blob. For a company perhaps best known for releasing pristine editions of international arthouse classics, The Criterion Collection certainly has a healthy amount of cult films in its repertoire. Cult cinema is often a difficult beast to recognize, for such films avoid the roads best travelled in their journey towards recognition and renown. Unlike seminal films in the collection including The 400 Blows, 8 ½, or Rashomon, cult films aren’t typically met with immediate cultural or institutional recognition upon release, aren’t made by internationally-recognized talent, and don’t always have an immediately traceable history of influence. That is, however, what makes cult films so interesting and so valuable: they emerge without expectation or pretense and signal the most populist and anti-elite means by which a film can gain recognition, pointing to the fact that there are always valuable films potentially overlooked between the pages of history. Herk Harvey’s low-budget drive through horror masterpiece Carnival of Souls (1962), like many cult films, emerged into the top tier of film culture in some of the unlikeliest of ways. Harvey was an industrial and educational filmmaker; the $33,000 Carnival was his only feature work. The film had ten minutes lobbed off of it for its drivethru run to fit more screenings, and was largely a non-event when it first graced American screens. Carnival’s success is owed mostly to genre film festivals, late-night television […]

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published: 11.26.2014
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published: 11.26.2014
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published: 11.21.2014
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published: 11.21.2014
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