Iron Man 3

Oscar Predictions 2014: Visual Effects

The horse race! The great question! The draw of history! Is there anything more exciting than the uncertainty of not knowing who will take home gold on Oscars’ big night? Of course there is. Lots of things are more exciting, and there’s no uncertainty here because Gravity is going to win the crap out of this award. So instead, let’s talk briefly about magic. Because that’s what visual effects are. Ever since the first days when a train scared people by pulling into the station, film itself was magic. The idea that you can capture the world around you and preserve it on a chemical strip has an air of sorcery to it, as it should, but we’ve had a century to get used to the mechanism, so visual effects have taken on the hefty mantle of casting spells. Like making us believe we’re in space, or fighting a dragon, or fighting an exploding foe, or fist-fighting on top of a train, or returning to space. Here’s a look at all five nominees with behind-the-scenes VFX videos to make up for my totally unsurprising predicted winner (which is in red)…

read more...

2013review_trailers

What were the best trailers of the year trying to sell? Movies and moods and ideas and awards and stars and sexiness and just a lot of great music. And maybe, just maybe, something more (read: more movie tickets). Not every great trailer advertises a great film, but sometimes even the most lackluster productions can gift movie fans with two minutes of cinematic glory (all the better if said trailer can include Kanye West screaming or Nicole Kidman redefining “cold” or even the glories of street dancing) worth lauding all on their own. This year saw a vast batch of standout trailers, and while our listing of best trailers of the year is nothing if not varied, all of the videos contained within share one key element – they effectively conveyed tone and feeling without revealing too much about plot and characters. As mini mood pieces, these thirteen trailers nailed it, as bits of marketing, they made us want to buy and buy big time.  What were the best trailers of the year trying to sell? Oh, it doesn’t matter – we were ready to buy.

read more...

blackfishmovie

Welcome to my 6th annual list of halloween costume ideas. These are mostly original, yet also mostly unlikely suggestions. One thing a lot of them have in common is the fact that you’ll need to explain exactly what you are, even if there is some mainstream-recognized foundation. For example, if this was a list of costume ideas based on movies that haven’t come out yet, one might be “Justin Bieber as Robin in Batman vs. Superman.” The basic Robin uniform would probably be easily understood, but the fact that the colors have been changed to purple, white and black, and why you’ve got a mop top will require the clarification that it’s based on a casting rumor the singer made up. I’d like to preface this year’s list by saying that I feel the past 12 months have either been uninspiring compared to other years — and/or I haven’t seen the hip movies of 2013. And I didn’t bother with much from the last quarter (as in post-Halloween) titles from 2012, because they all just feel like they’re from a century ago. Seriously, if you see anyone dressed as Abraham Lincoln and mention Spielberg’s movie, you’re sure to get a reaction of “oh yeah, there was that movie.” Feel free to borrow any of the following ideas for your Halloween festivities, especially if you want something that’s a conversation starter. But you must send us pictures. And if you don’t like my suggesions but you come up with your own very […]

read more...

discs prince of darkness carpenter

Welcome back to a slightly revamped version of This Week In Discs! As always, if you see something you like, click on the image to buy it. Prince of Darkness Members of a college physics class take on an extra credit project after a local priest (Donald Pleasance) hips them to the presence of a strange, glowing container in the basement of an abandoned church. The students make some extraordinary discoveries including the fact that the goo inside may actually be a physical representation of Satan! Or something. John Carpenter‘s last great film was 1994′s In the Mouth of Madness, but seven years earlier he delivered this equally fun horror flick pitting several semi-familiar faces (including a Simon brother!) against a possessed mob of homeless people. One by one the grad students fall victim to the devil’s whims, and Carpenter embraces the silliness of it all while still managing to deliver some thrills including one of his best endings ever. Scream Factory’s new Blu-ray offers a beautiful new transfer, and while the extras are slim it’s still a must own for genre fans. [Blu-ray/DVD extras: Commentary, interviews]

read more...

ironman3-commentary1

Much like The Avengers last summer, Iron Man 3 was the undisputed box office champion of the season in 2013. Building off the good buzz from The Avengers and the events in the end of that movie, Iron Man 3 offered the new director of the series Shane Black a chance to take Tony Stark to new places. Namely, he got him out of the Iron Man suit and toyed with the notion that Tony Stark was the real hero, even without all the technology. Following up two massive movies before it, and one of the biggest box office successes in history as an ensemble piece, Iron Man 3 was still a bit of a gamble. It paid off for all the parties involved. However, when Black and his co-writer Drew Pearce recorded their commentary to the film, the film had not yet proved itself completely. They had only been open for a week overseas, with the American opening on the horizon. Sure, it was a huge success at that point outside of the U.S., but so was Battleship. Still, Black and Pearce move through the commentary with confidence that it’s a hit, and that gives them the stones to explain why they chose to change some character elements from the original source material and why there were about as many revisions to the scripts as revisions to the Iron Man suit in Tony’s basement. Iron Man 3 comes out on DVD and Blu-ray next week, so take a few […]

read more...

feature summer winners iron man 3

This year saw editorials and prominent directors alike decrying the death of cinema as we know it, but none of that stopped ticket-buyers from dropping over $7 billion (domestic) to take in Hollywood’s wares. That’s on target with last year’s numbers, and since 2012 was a near record year, this summer has probably been a fairly solid success too, right? As always, it depends on who you ask. Critically speaking, while just about every movie has its defenders, a large number of this summer’s blockbusters were heavy on flash and style while growing even lazier than usual when it comes to the substance. Job one of summertime cinema is obviously to create a fun and thrilling piece of escapism, but it seems like studios have began putting in even less effort than usual when it comes to script, characters and even a modicum of brains. That’s a problem, but the box office receipts offer compelling evidence to the contrary (which is probably a bigger problem). It’s a bit easier to judge films on a commercial scale, or at least it should be, but thanks to Hollywood’s creative accounting it’s almost never clear cut as to whether or not a certain film is considered a financial success. (Just ask Forrest Gump author Winston Groom.) The formula varies depending on who’s doing the math, but for our purposes a general (and as close to believable as it gets) rule of thumb seems to be that a film needs to gross 1.5 to 2 times […]

read more...

ironman3

Given the $1,212,448,523 or so [according to Box Office Mojo] that Iron Man 3 has already made from playing in theaters, chances are it’s a movie that not too many people saw the trailers for and decided they’d just wait to catch it on DVD. No, not only did comic book and action movie geeks go out to see this thing on day one, but in subsequent weeks they dragged their families, their friends, their imaginary girlfriends, and possibly even their elderly neighbors out to take in additional Iron Man screenings, and at this point just about everybody on the planet has already seen it. That doesn’t mean Marvel Studios doesn’t still want you to cough up some extra cash to own it on your home video platform of choice though, so in order to entice Shellhead-heads to head out to their local retailer and pick up their copy of Iron Man 3 when it hits stores on September 24, they’ve leaked a couple of the special features that you’ll be able to find on the discs early. Click through to whet your insatiable appetite for superheroics with a deleted scene and a gag reel.

read more...

James Badge Dale

There were a surprising amount of baddies in Iron Man 3. Director Shane Black‘s Tony Stark adventure put the idea of multiple villains being a bad idea to rest. One of those villains — or henchman, if you want to get technical — was played by a familiar face, James Badge Dale. Badge Dale chewed on every piece of Black’s dialog and his character’s eccentricities. Even with the technical challenges, it’s a role Badge Dale wanted to let loose with. The actor used to work construction, and he wanted to bring that mentality to the character. A Shane Black henchman isn’t the only role we’ll see James Badge Dale in this summer, as he has both World War Z and The Lone Ranger next on dock, and they represent a chance for the actor to reach an audience that maybe doesn’t frequently watch Shame or The Pacific with their free time. They’re certainly all physical roles, which, according to James Badge Dale, is a part of the job that he loves:

read more...

JJ Abrams

Tonight on Movie News After Dark, we explore some of the unfriendly feelings that are had toward J.J. Abrams and his Star Trek films, we look at the real life Tony Stark (maybe), see a bit about Natalie Portman’s latest and as always, try to wedge in some Doctor Who.

read more...

IntroSuperheroBeatdowns

The boring problem with almost every superhero is that if they existed in real life they would just win all the time. This is why we have super villains, of course, and this is why those super villains tend to get the upper hand at some point in the film. After all, what’s a good third act without some kind of obstacle to overcome? If your character can shoot fire from his or her nipples then the baddies better have some kind of ray gun that shoots ice pasties. Point is, we need a point where the hero gets their ass handed to them – something that some movies handle better than others. Here are eight of the darker moments where the hero hits rock bottom (usually in a pool of their own blood).

read more...

Shane Black

If people really pay attention to directors, a lot of them found out who Shane Black is this weekend. Iron Man 3, his second best film as a director, sees him transitioning to a phase that he’s lived in before as a screenwriter. He found success in his twenties after acting in Predator and selling his script for Lethal Weapon, following-up with even more stories about kidnapping and Christmas. He’s brash, great with a comeback, and known for inserting fourth wall-breaking jabs into his scene descriptions, but he’s also been on both sides of the studio coin. That’s given him a front row seat for great success, backlash, a re-emergence that didn’t strike it big, and now another resurrection. It was clear before that he had talent, and now he’s got wisdom. So here’s a bit of free film school (for fans and filmmakers alike) from a man who knows what you find when you look up “idiot” in the dictionary.

read more...

savage

Doc Savage was one of the most popular pulp magazine heroes of the 30s and 40s. So much so that his fictional fame lasted for decades as he inspired countless radio, television, and film programs, as well as several comic book adaptations. As we’ve seen from past aborted attempts at bringing other pulp heroes like The Shadow or The Spirit to the big screen, however, being popular in the 30s and 40s isn’t a guarantee that a hero is going to have the right stuff to make for a successful modern film franchise. In spite of the semi-recent failures that still linger in the memories of the filmgoing public, Sony Pictures has decided that the package they’ve put together for Doc Savage is worth taking a risk on. The reason they’re so confident is because the guy they’ve got co-writing and directing the new take on this classic hero is Shane Black, and Shane Black just made Marvel over $700 million in a week by directing Iron Man 3.

read more...

Iron Man 3 Iron Patriot

Spoiler warning: There will be spoilers. Since 2008, a great deal of ink (or, at least, the Internet’s equivalent of ink) has been spilled on the political weight of Christopher Nolan’s Dark Knight films. From the depiction of post-9/11 trauma and Batman’s Patriot Act-style tactics in The Dark Knight to The Dark Knight Rises’s ideologically incoherent depiction of Gotham’s Occupy-enabled descent into a metropolitan anarchist dystopia, multiple theories and debates have assessed where the Nolanverse lies on the 21st century American political spectrum. The self-serious tone of these superhero films lend themselves to similarly solemn allegorical readings – Nolan’s Batman films are inferred as brimming with meaning and intent by virtue of an auteur director envisioning an alternative vision of America on a mass scale. But most political readings of the Dark Knight films inevitably encounter contradiction – the ambivalence of these films always fails to match their allegorical promise. The Robert Downey, Jr.-led Iron Man series presents itself as lightweight, goofy summer entertainment, a media object designed to be consumed passively rather than interrogated for its layers of meaning. But Iron Man has explored far more legible, richer, and more interesting politics than its darker counterpart. Its two directors (Jon Favreau and Shane Black), while talented, are situated less as auteurs and more as contributors to a collective, synergistic corporate vision. Iron Man’s politics, while often foregrounded narratively, are presented as a set of ideological assumptions rather than an active investigation of contemporary political tensions. And that’s exactly what makes […]

read more...

iron man 301

Iron Man 3 is a movie I’ve seen, and if you’re reading this I sincerely trust that you have too. Why? Two reasons. First, you should see it because it’s a pretty fun flick. And second? I’m about to unload spoilers below of epic proportions. My review is elsewhere on the site, and you should probably give it a read so you can call me names for the grade I gave it. The movie has issues, and more than that it leaves us with some serious questions. Again, and obviously, there are spoilers below regarding things that happen and who they happen to so tread lightly.

read more...

Breaking bad

Tonight on Movie News After Dark, it’s time to talk about Breaking Bad (YES!), dig a little deeper into the world of Iron Man, examine spoilers in trailers and get excited for summer movie season. Pretty much the same stuff we do every day, but better.

read more...

FILM JOCKEYS HEADER

What happens when a legendary film critic brings is geriatric crankiness to an internet movie show? Film Jockeys follows the adventures of Carl Barker, his far-too-young production staff, the filmmakers and the movie characters that inhabit their world. Written and illustrated by Derek Bacon, it’s the perfect webcomic for passionate movie fans who love video reviews of Iron Man 3. For your consideration, Episode #21:

read more...

Aaron Eckhart Erased

You know how you went downstairs this morning, and there wasn’t quite as much cereal left in the box as you thought there should be? We did that. We have operatives everywhere. We can see and hear everything you taste and smell. Which is why this week — on an episode that won’t self-destruct no matter how much you want it to — we offer some of our favorite conspiracy narratives (including a new take on The Usual Suspects) after talking with Aaron Eckhart about his latest CIA thriller, Erased, and the physical reaction he gets when reading a great script . Plus, we’ve got a review of Iron Man 3 done interrogation style. For more from us on a daily basis, follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on the Twitter. And, as always, we welcome your feedback. Download Episode #17 Directly Or subscribe Through iTunes

read more...

Brian Tyler

Iron Man 3 hits theaters this Friday, but you can already get the soundtrack composed by Brian Tyler. While the music of the previous two Iron Man movies was rooted in rock and roll, the newest entry  ushers in a new era of Tony Stark, and Tyler rises to the challenge of creating a more epic sounding score to accompany this change in tone. Tyler and I discussed his sound profile for a new era of Iron Man, the process (and importance) behind creating a memorable theme, and the joy of recording in the same studio where an iconic film score was made.

read more...

Star Trek Into Water

The Oscar season is long gone. Long gone, I say. Movies about old presidents and singing about your horrible life are over. As are the early dumping ground months, which weren’t all that horrible this year, thankfully. Now the summer movie season has begun. Marvel, once again, is starting things off on what won’t be a tough act to follow, but a pretty darn good one. Seeing Tony Stark crack jokes for two hours isn’t the only highlight of this month or this summer. Summer 2013 is packed with plenty of movies to act giddy over, both big and small. May represents what we should come to expect over the next three months with a nice amount of variety. There are ten films this month which are must-sees:

read more...

review iron man 3

We can probably all agree that Iron Man 2 is the Green Lantern of this particular franchise in that it just isn’t good. There’s a lot going on and even more characters to keep track of, but none of it congeals into anything remotely compelling or more than slightly entertaining. Well the good news is that Iron Man 3 is a better movie. The bad news is that’s not saying a whole hell of a lot. As befits the third film in a comic book franchise, our hero Tony Stark (Robert Downey Jr.), is finally being forced to look within for his greatest challenge. He became a hero in part one, fought off powerful enemies in part two and is now coming to grips with the toll his superhero lifestyle has incurred. The events in The Avengers have left Stark suffering from PTSD, insomnia and anxiety attacks, and his romance with Pepper Potts (Gwyneth Paltrow) is on the rocks. Coincidentally enough, his beautiful Malibu mansion is heading the same direction courtesy of two new threats. The Mandarin (Ben Kingsley) is a jihadist of indiscriminate ethnic background with a penchant for blowing up Americans, and Aldrich Killian (Guy Pearce) is a hotshot scientist still smarting from one of Stark’s pranks many years before.

read more...
NEXT PAGE  
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Comic-Con 2014
Summer Box Office Prediction Challenge
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3