Editor’s note: another SXSW feature is hitting limited release, so please enjoy this Citadel review, originally published on March 19, 2012. Tommy and Joanne are a young couple about to welcome their first child into the world, and to celebrate the imminent arrival (and to feel safer day to day) they’re moving out of their sketchy apartment building known as the Citadel. But before she can even make it to the waiting taxi Joanne is violently assaulted and left with a dirty syringe hanging from her very pregnant belly. Tommy witnesses the attack but is helpless to stop it. The hospital manages to deliver their newborn son, but Joanne falls into a coma from which she never awakens. The weeks and months that follow see Tommy struggle to leave his new flat even as pressures from Social Services and his landlord begin to mount. He lives in fear of the hooded teenage hooligans responsible for his wife’s death, and the night he decides to get the hell out of town with his child is the night they come calling. They take something very precious to him, and now, with the help of a crazy old priest and a kindly nurse, he’ll have to find the strength to stand up to his fears and save what remains of his family. Even if that means returning to the Citadel.



While there’s a lot to admire about Kari Skogland’s ‘Fifty Dead Men Walking,’ one can’t help but wish it had found a more original way to approach its subject, the Irish Troubles.

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published: 01.26.2015
published: 01.26.2015
published: 01.26.2015
published: 01.26.2015

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