Insignificance

Criterion Files

The 1980s proved to be an interesting and difficult time for auteurs of the 1960s and 1970s. Directors like Copolla, Scorsese, De Palma, Altman, etc. offered works that were far from their classics of the previous decade, but many of these films have aged well and proven to be compelling entries within the respective ouvres of these directors precisely because they aren’t part of their canon. While British director Nicolas Roeg did not play a central part in New Hollywood in the same way as the directors I listed, his 1970s work was certainly part and parcel of this brief countercultural revolution in narrative storytelling. I see Roeg as something of a British equivalent to Hal Ashby: someone who made brilliant entry after brilliant entry throughout a single decade, only to fade out of the spotlight once the 1980s began. But unlike the late Ashby, Roeg has continued making films during these years, and The Criterion Collection has taken one of his most perplexing entries from the era of Reagan and Alf out of obscurity. Insignificance (1985) is a strange film about a strange time. Based on the play by Terry Johnson, Insignificance stages an impossible meeting between iconoclastic minds as the likenesses of Marilyn Monroe (Roeg’s then-wife Teresa Russell), Albert Einstein (Michael Emil), Joe DiMaggio (Gary Busey), and Sen. Joe McCarthy (Tony Curtis) move in an out of a hotel room as they share a variety of 50s-topical dramatic scenarios.

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This Week in Blu-ray

It’s always a special week for This Week in Blu-ray when I can say that I’m on time. Last week was a mess, but this week we come roaring back with some great titles. It’s made even more special with the release of one of the best movies I saw in 2010, Legend of the Fist. My Donnie Yen addiction kicks into high gear while my lack of interest in big, studio-funded comedy and alien invasion films becomes readily apparent. Plenty to rent this week, a few precious titles to buy and that Red Riding Hood movie from Catherine Hardwicke right where it belongs: bringing up the rear. Legend of the Fist: The Return of Chen Zhen As you are undoubtedly aware, the movie theater is no place for hooting and hollering. Audiences should be present, but unheard. I know this as well as anyone out there, having sat through hundreds, if not thousands of movie with some of the stuffiest people on the planet (other film critics). But there was something about Legend of the Fist. When it screened for the audiences of Fantastic Fest last year, it jumped into our laps and demanded that we cheer. So there I was, alongside fellow critics Drew McWeeney and Brian Salisbury, reduced to cinema fandom’s equivalent of a “woo girl” by the first 20-minutes of this Donnie Yen action opus. It played like Saving Private Ryan, but with a little Asian dude running around killing Germans in the most creative of […]

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published: 12.19.2014
A-
published: 12.18.2014
C-
published: 12.17.2014
B+


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