informant

discs the worlds end

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. The World’s End Twenty years ago five friends attempted an epic pub crawl, but their effort fell apart before reaching the final bar, The World’s End. Now the group is reluctantly back together again to try and rewrite history, but the past is an ever-growing obstacle thanks in large part to how much remains unchanged in their old stomping grounds of New Haven. Things get worse though when they realize why exactly that is. Edgar Wright‘s final entry in his thematic Cornetto trilogy found a divisive reception from fans of Hot Fuzz and Shaun of the Dead, but in many ways it’s the best of the three. It’s incredibly funny, highly energetic, and perfectly cast (Simon Pegg, Nick Frost, Martin Freeman, Paddy Considine, Eddie Marsan, Pierce Brosnan, and Rosamund Pike to name a few), but it stands out for two other reasons too. First, the film’s structure and execution are incredibly deep and detailed to the point that multiple viewings continue to reveal new connections. Second, and most surprisingly, it has the best fight scene of any film this year. [Blu-ray/DVD extras: Commentaries, storyboard, trivia, featurettes, deleted scenes, outtakes]

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Last week, filmmaker Joe Berlinger tweeted about a review of West of Memphis at DocGeeks in which the writer wrote, “I’ve never had the time or the energy to watch all 3 Paradise Lost films and, having seen West of Memphis, I’m glad I never bothered to.” As the co-director of the Paradise Lost trilogy, Berlinger had a right to be annoyed with that opening line and not just because West of Memphis probably wouldn’t exist without Berlinger and Bruce Sinofsky‘s coverage of the West Memphis 3 cases over the last 20 years. If there’s one thing we as film critics and/or fans should be good at it’s considering the distinction of individual works and the independent perspectives that go into their storytelling craft. With more and more documentaries being made it’s understandable that multiple films will tackle the same specific story. Sometimes they will seem like competitors, and sometimes, as in the case of this year’s two AIDS treatment docs, How to Survive a Plague and United in Anger, they’re actually linked through overlapping producers. Another new film, which just won a Grand Jury Prize at the 2012 DOC NYC documentary film festival and also recently received the Best Documentary Feature award at the Austin Film Festival, is one of the greatest examples of why it’s a wonderful thing that so many docs are being produced, even if some appear to be redundant on the surface. Titled Informant, this film tackles the exact same incident already covered by the […]

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published: 12.19.2014
A-
published: 12.18.2014
C-
published: 12.17.2014
B+


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