In the Mood for Love

wongcannes

As a British colony until 1997 and Special Administrative Region of China, Hong Kong has created a popular culture completely unique to East Asian metropolitan living. This is demonstrated, in part, by the rich cinema tradition that has been continually exported from Hong Kong since the late 1970s, which bore films that distinctively combined East and West. While the region has produced some of the most memorable martial arts and action films of the late 20th century, the “Hong Kong New Wave” also witnessed the emergence of several great dramatists including Stanley Kwan, Yim Ho, Ann Hui and, of course, Wong Kar-Wai. For someone unfamiliar with Hong Kong firsthand, Wong’s films provide a resonant, bewitching, perhaps even definitive portrait of the city. In his international breakthrough Chunking Express, the densely populated metropolis’s kinetic movement and globalized circuits are accentuated by the film’s restless camera and Cranberries-infused soundtrack. In the Mood for Love stages several intimate meetings of traditional and contemporary life in the claustrophobic corners in an exponentially vertical Hong Kong. The dizzying 2046 presents a Hong Kong ever at the concurrent precipice of the past and the future. With The Grandmaster opening wide this weekend, Wong’s dramas now meet with that other signature Hong Kong genre, the martial arts film, providing as good of an opportunity as any to explore what makes his work so distinctive. So here’s some free advice (for fans and filmmakers alike) from the director who somehow convinced us that beauty lies in a slow […]

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In the mood for love / In the mood for love

Looking for any excuse, Landon Palmer and Scott Beggs are using the 2012 Sight & Sound poll results as a reason to take different angles on the best movies of all time. Every week, they’ll discuss another entry in the list, dissecting old favorites from odd angles, discovering movies they haven’t seen before and asking you to join in on the conversation. Of course it helps if you’ve seen the movie because there will be plenty of spoilers. This week, they wonder whether Tony Leung and Maggie Cheung‘s characters in Wong Kar-wai‘s In the Mood For Love really commit adultery and discuss the restrictions that led this film to become an instant classic. In the #24 (tied) movie on the list, two neighbors who suspect their spouses of shared infidelity build their own lonely relationship in revenge. But why is it one of the best movies of all time? Let’s investigate.

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For 36 days straight, we’ll be exploring the famous 36 Dramatic Situations by examining a film that exemplifies each one. From family killing family to prisoners in need of asylum, we brush off the 19th century list in order to remember that it’s still incredibly relevant today. Whether you’re seeking a degree in Literature, love movies, or just love seeing things explode, our feature should have something for everyone. If it doesn’t, please don’t make us stare longingly at Maggie Cheung without being able to do something about it. Part 28 of the 36-part series takes a look at “Adultery” with Wong Kar-Wai’s In the Mood for Love.

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