Pedro Almodóvar’s late career is revealing him to be a contemporary Alfred Hitchcock. For those whose perception of the Spanish director is filtered through his campy, punk-y early work, that may come as a surprise. But no other director working today has such a command of form, also Hitchcock’s true artistic medium. Hitchcock deployed his talent for pacing, timing and suspense in the service of the horror genre, though his films were leavened with comedic passages. Almodóvar displays the same control over the heartbeat of his films, and his nominal comedies all have tragic, horrifying premises. His latest, I’m So Excited!, is another of these tragicomedies masquerading as a farce, and it marks a return to form for one of the greatest directors working today. Its premise is not unlike a Hitchcock classic — Rope or Strangers on a Train — but inverted and in the air. In fact, its Spanish title, Los amantes pasajeros, could equally have been translated as Rakes on a Plane. Though he consistently nods to the current economic crisis rending Spanish society apart, Almodovar cares more about a well-executed farce than a timely piece of commentary. He’s more interested in narrative uplift, and his airplane comedy delivers that in spades. I’m So Excited! is a return to form, a maturation of his distinctive style, and a thoroughly enjoyable romp in the sky.