Hugo de Garis

For a very important reason, Transcendent Man begins with death. It’s a theme that pervades the entire discussion of technology, the future, and the direction that humanity might be headed in. After all, it’s that fear of death that propels us forward to delaying it, and, if Ray Kurzweil has his way, defeating it. If the idea of scientifically-created immortality (as opposed to the philosophical or Pearly Gate variety) seems outlandish, it’s only one of several put forth by Kurzweil in the film. Fortunately, it’s a movie about much more than just his predictions. It would be the dullest mind-blowing experience if it were, but instead of focusing too much on the science, the documentary creates a portrait of the man making the claims – complete with his failings and warmth. One version is a genius inventor who created a way for the blind to read. The other is a man haunted by the spectre of his father and debilitated by the thought of his own end.

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published: 12.23.2014
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published: 12.22.2014
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published: 12.19.2014
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