House of Wax


Long before Avatar and RealD broke new ground to bring a new version of 3D to movie audiences, Warner Bros. released the wildly successful major motion picture House of Wax in Polarized 3D. This helped launch the 3D craze of the 1950s, but that fad soon fizzled as the films released in this format rarely held up on their own once the gimmick wore off. Still, House of Wax has earned a long life for genre fans, shown with anaglyph prints and also flat on various home video formats. Now that 3D technology has reached home theaters, Warner Bros. has released House of Wax with its original stereoscopic presentation on 3D Blu-ray, just past the movie’s 60th anniversary. For the new Blu-ray, film historians David Del Valle and Constantine Nasr lend their voices to a technical and historical commentary, shedding some new light on the film that gave Vincent Price his first real step into the world of horror movies. Whether you appreciate the 3D of the film, or even if you’re a hater who won’t watch anything in 3D unless you absolutely have to, the new release of this classic horror flick gives unique insight into the cycle of 3D trends and how it emerged in the early 1950s.


discs 100 bloody acres

Welcome back! This week the pitches come straight from the actual marketing for each release. Perhaps unsurprisingly, some of them sound just as ridiculous as the ones I make up every week. As always, if you see something you like, click on the image to buy it. 100 Bloody Acres When the going gets tough the tough get grinding, and in the Morgan Brothers’ case what they’re grinding are human bodies. They’re not murderers per se as they rely almost exclusively on accident victims, but what else are small business owners to do when they discover that humans are the secret ingredient that makes their fertilizer more popular than ever? When Reg (Damon Herriman) passes three twenty-somethings on a back road and offers to give them a lift the trio learn the lengths he and his brother Lindsay (Angus Sampson) will go to secure the necessary ingredients to satisfy their customers. Writers/directors/probably brothers Cameron and Colin Cairnes deliver an incredibly fun and bloody romp for their feature debut that manages to shake up character conventions in regard to the protagonist/antagonist distinctions. As familiar as the setup feels it’s actually Reg and Lindsay who become the most interesting characters here as the trio of potential victims drown in their own bickering. It’s a damn funny film, but that doesn’t mean they shy away from the red stuff. Just the opposite in fact leading to a bloody good time for all. (Except the folks who get ground up into fertilizer of course.) [Blu-ray/DVD extras: Behind […]


31 Days of Horror - October 2011

They said it couldn’t be done. A fifth year of 31 Days of Horror? 31 more terror, gore and shower scene-filled movies worth highlighting? But Rejects always say die and never back away from a challenge (unless you count that time Kevin Carr was challenged to stop hot-waxing his belly hair in public), so we’ve rounded up the horror fans among us and put together another month’s worth of genre fun. Enjoy! Synopsis: In 1910 New York, brilliant artist and sculptor Henry Jarrod (Vincent Price) uses his skills to creature exquisite wax statues of historical figures. His greedy business partner Matthew Burke (Roy Roberts) wants him to develop more exploitative pieces so they can turn a greater profit. When Jarrod refuses, Burke sets fire to the wax museum so he can collect on the insurance. Jarrod, whom many thought perished in the fire, returns months later in a wheelchair with horribly scarred hands. He opens a new wax museum, this time complete with the horrific elements that people expect from such an exhibit. Around the same time, a disfigured ghoul is carrying out mysterious murders around the city and stealing the bodies. A young woman (Phyllis Kirk) believes these missing bodies are being turned into wax figures for the House of Wax’s Chamber of Horrors.


Hello 80s, Goodbye 3D

With the clear dawn of a new decade, we say goodbye to a once-great innovation that’s been reduced to a scummy fad. R.I.P. 3D.



After riding around in a black-painted panel van, Liam Neeson will hop out, get in a car accident, and wake up to a world that doesn’t know who he is. Sound great right? Only one problem.


3D is so awesome and available that these films could make a very profitable midnight movie series around the country, don’t you think?

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published: 12.23.2014
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