Films that are submitted to festivals come with many questions. Will my film be accepted? Will people be interested in watching it if it is? Will it get distribution? What will happen if it does get distribution? But these questions are also what make film festivals so exciting – the great unknown and all the possibilities it contains. This year’s Sundance Film Festival gave festival attendees (and soon audiences all over) many different films from comedies to dramas to horror. Signing up to work on an independent festival film can end up being a labor of love, but it can also open doors and catapult otherwise unknown talent into the spotlight. The road to Sundance has been seen through the eyes of writers, directors, and actors (which can be found on the Sundance website), but I wanted to look at the process from the composer side of things and was lucky enough to speak with not just one, but two composers who ended up with a total of three films at this year’s festival between them. Rob Simonsen who composed music for two of Sundance’s most well-received coming-of-age films, the heart-felt The Spectacular Now and the funny The Way, Way Back and Heather McIntosh who created the inventive and sinister soundscape for the surreal The Rambler.