Hal Holbrook

Promised Land

When he’s not being overly experimental with his stories, there’s no amount of heart that director Gus Van Sant can’t deliver. He’s proven such abilities time and time again with films like Good Will Hunting, Finding Forrester and most recently with the biopic Milk. Van Sant has never been bad at finding the humanity in his stories, so it shouldn’t surprise that his latest team-up with Matt Damon finds plenty of humanity and heart as well. And it’s not just a matter of being set inside the economically ravaged American heartland, where such stories litter the once flourishing agricultural landscape. With Promised Land, Van Sant once again finds his safe zone. And when combined with a cast of seasoned veterans, he also finds himself the director of yet another engaging human story.



The movies released in 2012 have been notable for many reasons, impacting or reflecting news events both positively and negatively. It’s also seen new innovations, the most notable being the first release of a film in 48 frames per second. However, cinematic historians will also look back on 2012 as being a banner year for facial hair. The entire crew of Film School Rejects relishes glorious facial hair (and yes, that also includes the ladies on staff). We all wish we could have half the style that characters in the movies this year displayed on their lips, chins and cheeks. Now, as the year draws to a close, we reminisce on the many styles we’ve seen on movie screens in 2012, and maybe give some tips on how to grow your own face so glorious.


John Carpenter's The Fog

They said it couldn’t be done. A fifth year of 31 Days of Horror? 31 more terror, gore and shower scene-filled movies worth highlighting? But Rejects always say die and never back away from a challenge, so we’ve rounded up the horror fans among us and put together another month’s worth of genre fun. Enjoy! Synopsis: A small northern California town celebrates its centennial, but when a thick, mysterious fog envelops the town the residents discover their history may not be one worth celebrating. Elizabeth (Jamie Lee Curtis) is just passing through when the nightmare begins, but she’s quickly drawn into a fight for her life alongside the studly Nick Castle (Tom Atkins), suspiciously guilty priest (Hal Holbrook) and sexy-voiced DJ Stevie (Adrienne Barbeau). Something is in the fog, and it’s armed with sharp-edged weapons.



Daniel Day-Lewis. Tommy Lee Jones. Joseph Gordon-Levitt. Sally Field. Tim Blake Nelson. Hal Holbrook. James Spader. John Hawkes. Steven Spielberg has officially pointed his bat at the far bleachers when it comes to casting his upcoming film Lincoln. It’s telling when the Oscar talk can begin fairly nonchalantly during the casting phase. We already knew that Sally Field was set to play Mary Todd Lincoln and Daniel Day-Lewis would don the top hat and beard to play the iconic 16th President. Now, according to LA Times Blog, Jones has joined the cast as abolitionist congressman Thaddeus Stevens and Gordon-Levitt is on board as Lincoln’s son. While The Conspirator focused on the aftermath of Lincoln’s assassination, Spielberg’s take will look at slavery from the view point of Lincoln and his political advisers. It now has one hell of a cast and no vampire hunting in sight.


Water For Elephants

Let’s say you’re a greasy-haired young man of the 1930s, on the cusp of completing your Ivy League studies in veterinary medicine (which is apparently animal doctoring and not war fighter doctoring), when tragedy strikes. Your whole life is stolen away. Your first instinct is to hop on the first train out of town, right? Of course it is. That’s exactly what happens to young Jacob (Robert Pattinson) in Water For Elephants. He loses his parents (the only family he has) and jumps aboard a train in the dark of night only to find out he’s accidentally joined the circus. He proves his worth enough to stay by impressing the iron-fisted ring master August (Christoph Waltz), but he ends up impressing August’s wife, Marlena (Reese Witherspoon), a bit too much, and the elephant pile gets higher just in time for the company to buy an elephant meant to save all of them.


Whos supporting who?

Every week, Landon Palmer and Cole Abaius log on to their favorite chat client of 1996 as CriterionCollector85 and JP2themax in order to discuss some topical topic of interest. This week, they puzzle over how to define a Best Supporting Role. What does that support mean? Or look like? Does it matter how long someone is on screen or how big a catalyst they are? Since the Oscars don’t seem to know…what the hell is a supporting role anyway?



“I have the feeling that if I died in the middle of the night they’d just roll me out and roll the next one in,” says Abner Meecham (Hal Holbrook) in That Evening Sun. “And nobody would even notice.”

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published: 01.25.2015
published: 01.25.2015
published: 01.25.2015

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