Gregg Hale


Editor’s note: This review of V/H/S/2 originally ran during this year’s Sundance Film Festival where it was going under the title S-VHS. We’re re-running it now as the film hits VOD and a limited theatrical roll-out this Friday. Reactions were understandably mixed to last year’s horror anthology film V/H/S, but there was enough of a positive response to encourage the team to move forward on a new incarnation. No, it’s not time for Laserdisc yet (maybe next year), but in its place we have the forgotten future of video tape…  S-VHS. In addition to changing out most of the writers/directors from the first film (only Simon Barrett and Adam Wingard remain) they’ve also, wisely, shortened the experience by sticking to four shorts (plus wraparound) instead of five. This time the “story” that brings the shorts together involves a pair of inept private eyes investigating the disappearance of a college student. They break into his ratty house and decide their investigation would be best served watching the unlabeled videotapes strewn about the living room. The four stories that follow are a mixed bag quality-wise, but thankfully there are none as bad as the “dumbasses in the woods” segment from the first movie. The concept remains that everything we see was filmed entirely on personal cams to give a POV sensation. If they do share a theme with each other it’s more laughs/fewer scares — which I gotta say is kind of odd for a so-called horror movie.



What the hell is that? And that, horror fans, is the best way to leave your audience salivating for more when it comes to premiering a first trailer for the newest entry in your burgeoning horror anthology film franchise. Over at ShockTillYouDrop, the first trailer for S-VHS has popped up mere days before the film premieres at this week’s Sundance Film Festival. It’s a slim little number, but it kicks off with a slice of what I’m guessing might be my favorite section from the new film – a child’s birthday party at what looks to be a family’s cabin in the woods, interrupted by something that likes to screech like a combination banshee and T.Rex. Banshrex. T.Shee. Either way, I can’t wait to meet it. This time around, the directing talent behind the anthology film includes Simon Barrett, Adam Wingard, Edúardo Sanchez, Gregg Hale, Timo Tjahjanto, Gareth Evans, and Jason Eisener, so yes, there’s probably going to be something here for everyone. I saw and reviewed the first VHS at last year’s Sundance and flipped for it (and screamed and cried and tried to hide in my sweater and scarf to no avail), so my hopes are quite high for this next entry. Ready to see some of what the next chapter in the VHS franchise holds? Take a look at the first trailer for S-VHS after the break. Have your sweaters and scarves at the ready.


VHS Horror Movie

Recent horror release V/H/S was kind of a mixed bag, but that’s to be expected from anthology films that combine shorts from different filmmakers into a loosely connected whole. Regardless of which segments were your favorites, or which you thought didn’t work, it’s still pretty cool that V/H/S took little known filmmakers like the guys from Radio Silence and let them present their work alongside much-loved directors like Ti West and Joe Swanberg. So, good news for horror fans and horror creators alike, V/H/S/2 is already in the works, and it’s already signed up some top notch directors.



Welcome back to Commentary Commentary, where we dive into the shiny backside of your favorite DVDs and bring you the magical insight that comes from hearing filmmakers talk. This week we’re going back to the woods, trekking through miles and miles of uncharted forest area, and looking for some lost film students. Not necessarily film school rejects. You can’t really be rejected if you wind up dead in the woods, right? Doesn’t matter. This week we’re listening to the commentary track for The Blair Witch Project, the infamous, no-budget shocker that became a cultural phenomenon in 1999. It also remains a sure-fire way to scare your friends or making them violently ill from all the shaky cam. Here’s what we learned from the commentary on this, the movie that kicked off the latest trend of found-footage moviemaking.

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published: 01.30.2015
published: 01.30.2015
published: 01.29.2015
published: 01.28.2015

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