Daniel Algrant’s Greetings from Tim Buckley is supposed to be Penn Badgley’s revelatory moment as an actor. Playing singer-songwriter Jeff Buckley, Badgley sings live on set and sounds eerily similar to Buckley as he goes into his upper register and harmonizes in abstract ways. Unfortunately, Badgley’s performance ultimately feels empty, as does the film as a whole. Despite being focused on real, complicated people with tragic lives (both at the height of their fame, Jeff’s father Tim died at 28 from an accidental overdose and Jeff drowned at 30), the film never allows the two Buckleys to come across as fully realized characters. It’s 1991 and Jeff Buckley is living in California, a struggling musician. Out of the blue, he gets a call asking him to come to Brooklyn to perform in a tribute concert for his father, who he only met twice in his lifetime. Jeff is bitter about the whole situation – celebrating the man who abandoned him – but he agrees to play nonetheless. While he is there, he is guided musically by his two of his father’s former bandmates, played by William Sadler and Frank Wood. He also forms an immediate connection with the venue’s intern, Allie (Imogen Poots, playing a fictionalized character) and she helps him come to terms with being his father’s son. Jeff’s story of prepping for the tribute concert is intercut with Tim’s (Ben Rosenfield) trip from California to New York at the start of his career in the 1960s.