Gone With the Wind


“Movie Houses of Worship” is a regular feature spotlighting our favorite movie theaters around the world, those that are like temples of cinema catering to the most religious-like film geeks. This week, FSR’s Allison Loring chose one of her favorite theaters in Los Angeles. If you’d like to suggest or submit a place you regularly worship at the altar of cinema, please email our weekend editor. Aero Theater Location: 1328 Montana Avenue, Santa Monica, CA Opened: Originally opened in 1939 as a 24-hour theater for aircraft workers, but closed in 2003 after Robert Redford’s Sundance Cinemas project (which was going to take over ownership of the theater) fell through because General Cinemas (which was being sold to AMC) went bankrupt. The Aero is now officially known as the “Max Palevsky Aero Theater” thanks to Palevsky’s funding for the American Cinematheque’s refurbishment of the theater which re-opened in January 2005. No. of Screens: 1 Current First-Run Titles: Prisoners Repertory Programming: The Aero always has special series going on – this month includes “Classics from the Cohen Film Collection” starting with Intolerance,“Satyajit Ray Restored” screening a slew of the filmmaker’s films including Charulata, The Music Room, The Big City, The Expedition, The Goddess, The Hero, The Coward, The Holy Man, The Adventures of Goopy and Bagha, and The Elephant God, and “Pure and Impure: The Films of Pier Paolo Pasolini” showing Accattone, Mamma Roma, The Decameron, Salò, or the 120 Days of Sodom, and The Gospel According to St. Matthew. Special Events: Jon Favreau is a regular at the Aero (since it is his neighborhood theater) and almost […]


Django Unchained Sam Jackson

After I saw Django Unchained for the first time, I jokingly tweeted that it was going to be funny when a bunch of white people get nominated for Academy Awards for this movie about slavery. Then the Academy Award nominations came out, and it became less of a joke and more an eerily accurate prediction. I’m not telling you that to give you the impression that my twitter feed is magical or that following me will make your life immeasurably better (even though it is, and it will), just to remind you that the Oscars aren’t really about the best or most important movies, performances, or artistic accomplishments, which is why when you look at a history of the winners you’ll see a curious absence of classics like Die Hard or Star Wars, and an overabundance of moviesthatsuck. Because instead of telling us what movies were the best, the Oscars tell us what movies made the Academy feel the most warm and safe.  Nowhere is this more apparent than when looking at how the Academy treats movies about slavery. They don’t want a smart, artistic analysis that properly explores the darker aspects of the fact that the United States contributed to a centuries-long genocide. They want movies that gloss over the pain and suffering. At best, they want movies that cut right to the part where white people get forgiven. Which is why we see the following trend in this brief list of every movie to deal directly with slavery […]



“Movie House of Worship” is a regular feature spotlighting our favorite movie theaters around the world, those that are like temples of cinema catering to the most religious-like film geeks. This week, guest submitter Shannon Scott shares another one of her favorite historic theaters. Her comments are those quoted. If you’d like to suggest or submit a place you regularly worship at the altar of cinema, please email our weekend editor.   Name: The Fox Theatre Location: 660 Peachtree Street NE, Atlanta, GA Opened: December 25, 1929, as part of The Yaarab Temple Shrine Mosque, a headquarters for the Shriners. The auditorium was originally leased to cinema mogul William Fox to be The Fox Theatre. See a timeline of the theater’s continued history through multiple closings and openings here. No. of screens: 1, the biggest in Atlanta.



I spent two of my three available afternoons this weekend watching the Kristen Wiig-led anti-romantic comedy Bridesmaids. I love everything in this film from the honest exploration of emotions in a life-long female friendship to the feelings of exclusion when one person’s life seems to skyrocket towards awesome and the other one is left in the dust. But at the film’s center is a story about female friendships that are supportive and real, not destructive and solely dependent on what man is in their lives. I am excited for what the success of it says for funny women, and hopefully what it will do for the future of smart lady-driven films that are neither led by Katherine Heigl or about coming to terms with the death of a child. Previously, I crowned Lucas (Rory Cochrane) from Empire Records King Slacker Lover. But my vault full of imaginary film boyfriends does not end with the loyal yet meddlesome Lucas. Rather, there are handfuls of male characters from influential and not so influential films that make up pieces of the perfect imaginary husband pie. Men like Gone with the Wind’s Rhett Butler (Clark Gable) exemplify the ruffian with a heart of gold, while Joseph Gordon-Levitt’s Tom from (500) Days of Summer proved that men could have just as many crazy “girl” feelings as the objects of their desire. The ideal imaginary husband combines all the traits of the perfect boyfriend, while still offering something a little extra (and I’m not just talking […]


Circle of Jerks

You’ve stumbled upon Circle of Jerks, our sporadically published, weekly feature in which we ask the questions that really matter to our writers and readers. It’s a time to take a break from our busy lives and revel in the one thing that we all share: a deep, passionate love of movies. If you have a question you’d like answered by the FSR readers and staff, send us an email at editors@filmschoolrejects.com. I heard a rumor somewhere that FSR founder and big time publisher-guy Neil Miller had never seen The Empire Strikes Back until recently. First of all, if this is true he should be beaten. Second of all, what movies have some of the rest of you never seen that you’d be embarrassed to tell your movie-loving friends? – David D.



All month long we celebrate Best Picture Nominees that didn’t win. This week, we take a look at the Avatar of its time.



This is just a letter to all of those people out there that think life should be fair and easy. Life is a bit different than that, especially since James Cameron decided to take us to Pandora.



Everyone is reporting that Avatar has made more money than any other movie ever. That’s not necessarily true…



Hopefully 2009 prepared you for brilliant science fiction. Back in 1936, it’s Christmas in Everytown, and there’s talk of war coming to their doorsteps.



This week’s Culture Warrior is getting its bunker ready for Y2K.



Aside from taking Dr. Cole Abaius’ advice to change the name of this column to ‘This Fortnight in Blu-ray,’ I can’t say that I’ve done much in the way of the HD format lately. So this week we’re back on the bus…



The Academy of Motion Picture Arts and Sciences has changed the way members will vote on the Best Picture. Here’s a dirty explanation of how it works that will either clear it all up or make it far, far more confusing for you.



In honor of Mother’s Day, I shine a spotlight on my mother’s favorite movie of all time, and let her explain why she loves it. Am I the best son in the world? Probably.

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published: 01.27.2015
published: 01.27.2015
published: 01.27.2015
published: 01.27.2015

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