Gaspar Noe


Is there a chance that current Hollywood it boy Ryan Gosling could be working with super weird Argentine director Gaspar Noé (Irréversible, Enter the Void) on his next project? If you listen to author Bret Easton Ellis (“American Psycho”), there is. Here’s the story so far: Ellis has been working on a screenplay for a while, it’s called The Golden Suicides, and it’s about the true story of artist couple Jeremy Blake and Theresa Duncan, who killed themselves back in 2007, allegedly after harassment from the Church of Scientology. Originally Gus Van Sant was meeting to come on and direct Ellis’s screenplay, but that fell apart for one reason or another, so eventually the job went to Noé. Now that there is a director in the bag, it’s time to find a leading actor, and Ellis seems to have his sights on Gosling. Recently he’s been taking to his Twitter account to tease followers about the fact that Gosling is close to signing on to the project. Last week he was saying things like, “Ryan Gosling is going to have to wait this year out and then win the Oscar for playing Jeremy Blake in The Golden Suicides,” and this week he’s been tweeting details of a meeting he, Gosling, and Noé had at the Chateau Marmont. In addition to talking about how good Gosling looks eating an apple, Ellis also stated, “Ryan came to meet Gaspar Noé who is directing The Golden Suicides. The 25 year-old broke up with […]



Horror director Larry Cohen has a number of memorable movies under his belt. He’s the guy responsible for cult movies like Black Caesar, It’s Alive, and the other, other werewolf movie from 1981 Full Moon High. But it’s his 1976 film God Told Me To, a movie about a series of murders committed by people who say they are following the instructions of God, that looks like it’s up for a remake. Who is trying to get their hands on the rights to a movie that deals with murder and religion like that? It’s best to let the story play out in the same words it did in a recent issue of Film Comment: “The 70-year-old Cohen mentioned that he had just come from a meeting with an interesting young Frenchman who was seeking the rights to remake God Told Me To. ‘What’s his name?’ inquired the staffer. ‘I don’t remember, but he gave me some DVDs of his films.’ The director rummaged in a bag and produced copies of Irreversible and Enter the Void.” That’s right, not only did a 70-year-old man not realize he was talking to Gaspar Noé, he now has been given copies of both Irreversible and Enter the Void, which he will watch with seemingly having no idea what to expect out of them. This story makes me smile. I hope that Cohen still has a strong love for the grotesque living inside of him.



What is Movie News After Dark? It’s a nightly column chronicling all that is good and true(ish) in the world. But enough gay banter, its author caught the new trailer for The Muppets this evening — it’s attached to Pirates of the Caribbean: On Stranger Tides — and it was adorable. Not Pirates, that wasn’t great, the Muppets trailer. Speaking of Muppets, here’s something sad… 21 years ago today, Jim Henson passed away. Our friends over at /Film are remembering him by posting a wonderful documentary called The World of Jim Henson. It’s worth your time, as you might imagine.



Today is Chuck Palahniuk‘s 49th birthday, which means that the writer and member of the Lost Generation gets to blow out some candle, eat some cake, and mail a few plastic lobsters to people. It also means that we get to take a look at the novels he’s written that still need to be made into movies. For those that don’t read our site on the weekends at all (because kites don’t fly themselves), we normally run this column every Saturday, but seeing how it’s a special occasion and seeing as how we don’t care much for rules, we figured it was a great time to comb through the Fight Club and Choke author’s stuff to celebrate it a bit. To that end, here are 9 Chuck Palahniuk books that are ripe for the movie picking.



We all know that film is a collaborative medium, but some films give the impression of such a strong singular vision as if the work itself were simply the direct projection of the director’s imagination onto the screen, with all the ease of such a vision achieved that my statement implies. With respect to Gaspar Noe’s Enter the Void, by “ease” I mean that the film is as much of a technical accomplishment as it is artistically ambitious.



This week’s Culture Warrior gives an exhaustive review of the decade that you won’t find anywhere else on the Interwebs.

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published: 01.28.2015
published: 01.28.2015
published: 01.28.2015
published: 01.27.2015

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