It’s obvious why director Gareth Edwards was chosen to helm another American reboot of Godzilla. His feature debut Monsters showed he could achieve spectacle on the cheap, build a convincing world inhabited by monsters, and, best of all, fill that world with compelling characters. It was a human story that happened to have monsters looming in the background. With Godzilla, it’s a shame it’s not the other away around, because the stunning CG creatures are far more entertaining than the humans they play second fiddle to. That’s unfortunate for many reasons, including the film’s very promising prologue. Bryan Cranston and Juliette Binoche play Joe and Sandra Brody (in what’s likely a nice nod to Jaws), a married team who work together in a Japanese power plant. Sandra is checking on an electrical problem when a massive accident happens, causing the destruction of the power plant, the evacuation of the city, and her death. Fifteen years later, their son Ford (Aaron Taylor-Johnson) is living in San Francisco with his wife Elle (Elizabeth Olsen). He’s in the military, so he’s been away from home for a little while, but he returns only to learn that his father has been arrested in Japan, which means reluctantly flying across the world to help. When Ford gets there, Joe strikes him as the same paranoid lunatic he remembers from growing up, but this time his father has proof there was a cover-up of the real cause of the disaster that killed Ford’s mother. That cause? Monsters. Not Godzilla, though, who the film wisely plays as the misunderstood hero he is.