From Dusk Till Dawn

Casablanca Movie

Sometimes, the urge to crack open a cold one when you’re stuck in the middle of a Netflix binge can get overwhelming. And it’s understandable; so many of our favorite films feature incredible bars and pubs that put our local haunts and dives to shame, intergalactic gathering spots that bring together alien races, chic international watering holes and rough roadsides that may necessitate a bodyguard or two. While we can’t frequent these cinematic watering holes, it’s okay to daydream and sip a martini or two while doing so. Here are the movie bars at which we’d love to pull up a stool.

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Robert Rodriguez making Sin City 2

In 2005 director Robert Rodriguez brought life to Frank Miller‘s Sin City in an unimaginable way. Literally adapting the style of that highly stylized series was a risky choice. Broad audiences hadn’t experienced a movie with such a heightened aesthetic to that degree yet, but it worked for both audiences and critics. A sequel was announced and then…it took longer to get made than it should have. But that long-awaited sequel finally comes out this summer in 3D with most of the original cast in place and a few welcomed additions. Another Rodriguez project returning is From Dusk Till Dawn. The proud Texas filmmaker now has his own network, El Rey, which kicks off with a serialization of his 1996 vampire film. The pilot is basically the film’s first 10 minutes stretched out to 40 minutes with a few tweaks. Rodriguez directed the first episode and he will continue to have a strong hand in the series, as well as anything else that shows on El Rey. Rodriguez discussed with us cinematic quality of today’s television, in addition to the recreating the world of Sin City for the upcoming sequel.

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Only Lovers Left Alive

You know, it must really be a new year and a new day if we have information about two vampire-related projects coming down the pipeline and they’re both instantly labeled as must-sees and don’t immediately make  everyone utter a collective “ugh” on sight. There’s nary a sparkle abound for 2014. First up is a film in which Tilda Swinton and Tom Hiddleston are undead British rock star lovers, something that none of us had ever really formulated into so many words, but subconsciously, realize that it makes way too much sense. Jim Jarmusch’s Only Lovers Left Alive — our 24th most anticipated movie of 2014 — is the story of a depressed vampire rocker (Hiddleston) who is just fed up with this modern world and its ever-changing technology. Luckily, he has his beautiful, understanding wife to console him with blood popsicles and shots, followed by some listless trance dancing. Normal couple stuff. A visit after 87 years of peace from bratty younger sister Mia Wasikowska is just another inconvenience in their life of style.

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IntroBarFights

The World’s End was a great film, and amongst its many covered genres, it made a pretty big mark in the ranks of epic bar brawl movies. To celebrate, why don’t we explore some of the other great drunken tussles of the sci-fi and fantasy genres? Excellent. Glad you’re on board. Because no matter what sorcery or technology you have at your fingertips, there’s always time to get soused and hit someone.

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Reject Recap: The Best of Film School Rejects

It’s too bad everyone (but me) hates Catfish so much, because otherwise the Manti Te’o fake girlfriend story would make for a great movie, documentary or drama. It’ll still probably wind up being told in some form or another anyway. Or perhaps it’ll just inspire a Law & Order SVU episode (the death of a pro athlete’s girlfriend is investigated… but then it turns out she never existed in the first place!). For now, it’s our lead-in to another Reject Recap, where the best film-related stories on FSR and around the web are listed for you to easily get caught up with. We understand, you were too busy following the Manti drama and the Lance Armstrong confession and mourning Mr. Drummond this week. As we head into the weekend, you should first feast your eyes on our reviews of new releases, including the Arnold Schwarzenegger comeback (The Last Stand), the scary movie with the feral children and a raven-haired Jessica Chastain (Mama), the fake Sidney Lumet film (Broken City) and the Common drama from the previous Sundance (LUV). I don’t think we liked any of them, really. But, hey, Quartet is expanding a bit, and Will Ferrell sure made that sound enticing at the Golden Globes when he pronounced it “Cordet.” Speaking of which, you’re only a few days behind, but if you missed those awards, you can read through our live-blog transcript and feel as though you actually watched. Now, check out the biggest and best stories and original […]

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IntroBehindScenes

It seems very rare that a behind-the-scenes documentary will earnestly try to show how the movie is made over trying to sensationalize the process. After all, who exactly is the demographic watching these things? Is it people who are genuinely interested in learning the techniques, or is it casual fans of a particular movie peeking behind the curtain? A good documentary caters to both – but above all should be honest in how the film was made. I’d like to explore some of the most earnest examples that I’ve come across. Either as stand alone films or DVD extras – these are documentaries that show, for better or for worse, the good and the bad aspects of the movie making process. This is stuff that no film goon should miss.

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This week, on a very special episode of Reject Radio, movie slave monkey for UGO.com Matt Patches shows up to give us hell. After some witty banter, he and Cole discuss the finer points of racial tension, bring Jan de Bont to a gun fight, and take a look back on our entirely appropriate relationship with Robert Rodriguez. Plus, we find time to review Machete, The American, and Going the Distance.

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