Frank Frazetta

Back last summer when Robert Rodriguez was talking about the projects he was cooking up for the future, most of the focus was on his prospective Sin City and Machete sequels. And, since then, both Machete Kills and Sin City: A Dame to Kill For have been officially announced as his next two projects. Those weren’t the only movies he was expressing an interest in making back then, however; he was also into the idea of remaking the animated 1983 film Fire and Ice, which was directed by Ralph Bakshi and inspired by the artwork of Frank Frazetta, who also served as co-writer on the film. If you don’t know who Frank Frazetta is, he’s a science fiction and fantasy illustrator whose work you’ve undoubtedly seen at some point in your life. He’s done all sorts of book covers, comics, paintings, and whatnot, and usually his work involves alien landscapes, muscle-bound warriors, scantily clad women, and some sort of stabbing weapon. You know, it’s the sort of stuff that you’d get airbrushed on the side of an awesome panel van.

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Marcus Nispel is known as a work-for-hire type of director. The type of filmmaker that’s brought onto a project to craft a studio’s vision versus his own. Coming from the world of Platinum Dunes’ micromanagement, he’s worked on films that are not meant for auteurs. The projects he’s been a part of are calculated products, and Nispel is more than aware of it. The Friday the 13th and Texas Chainsaw Massacre remaker knows how the game goes for his franchise starter films. With Conan the Barbarian, Nispel got the chance to make a different type of blockbuster: a hard-R that features a misogynistic, barbaric lead. However, the director still was a “dog on many leashes,” as he described the process. Hopefully, Nispel still managed to create a version of Conan that lives up to the idea of an R-rated tent-pole release about a barbarian who thirsts for blood. Here’s what Nispel had to say about avoiding film school, making someone else’s vision, and how filmmaking is like raising children:

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What is Movie News After Dark? It’s a thing that happens nightly, only on Film School Rejects. Well, unless you count the spam sites that scrape our content and post it as their own. We know you’re out there, and we’re going to get you. In the mean time, here’s some news for all you readers, no matter where you’re seeing it. We open tonight with the new image from Jeff, Who Lives At Home, another TIFF ’11 premiere. It’s the latest from the Duplass brothers, about a man who lives at home with his mother, until the day when the universe begins showing him signs about his future. It has Ed Helms, I’ll watch that.

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In the rapid fire world of journalism, heh, sometimes you only get a few minutes with talent to get to the really great information. Then sometimes you only get a few minutes shoved into a tiny room overflowing with people shouting very general questions that offer little in the way of what we call “interesting information.” Today was one of those days when I got to share a room for about five minutes with Jason Momoa. Luckily the very tall and friendly star of Conan the Barbarian shot out some interesting information in this short period of time that we’re offering you up here.

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Comic-Con regular Robert Rodriguez had an intimate Hall H presentation Thursday evening to talk about his newest venture, Quick Draw Productions. If you’re familiar with Hall H, you’re probably questioning my use of the word “intimate” as it’s a big venue, generally stuffed to the bathrooms with people and big events. Not so, this night, as Robert Rodriguez appeared on stage himself to start slowly unveiling three partnerships, but nothing was that ground shattering. If the ground had shattered, few people would have fallen in, as the voluminous Hall was only about a quarter full for the casual, talky presentation. Before launching into the what and the when of his new production company, Rodriguez ran down the list of things he’s always asked about – namely Machete, Sin City, and Spy Kids 4. To find out what he said about this, and his future in animation, keep readin’ on.

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It seemed only natural that John Carter of Mars would become John Carter – since most Americans hate things from Mars and need to be tricked into seeing movies – but there’s nothing natural about the teaser poster for the film. It’s a red letter attempt at building buzz, but it’s unclear exactly how it will achieve it with only the bare chest of Taylor Kitsch and enough photoshopping to turn him into Michael Shannon. A brand new property is emerging, and another is seeing its final curtain. On the other end of the poster spectrum is this bold new look at the children from Harry Potter and the Deathly Hallows Part 2. All grown up and ready to battle. Click on the posters to make them far, far larger:

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Your daily recommended allowance of random movie stuff, stories that fell through the cracks, and news you can’t use.

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published: 12.19.2014
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published: 12.18.2014
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published: 12.17.2014
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