Footloose

Spaceballs Barf and Lone Star

Marvel’s Guardians of the Galaxy is a movie where we could go on and on with relevant recommended titles. Its main hero, Star-Lord (Chris Pratt), is a guy who spent his first 10 years on Earth enjoying a lot of movies and music. He’s a good representation of many people his age who are still Earthbound, because he’s focally nostalgic for ’80s pop culture and is always ready to make a reference to Teenage Mutant Ninja Turtles or some other property that existed prior to his abduction in 1988 by the space pirates known as the Ravages. In addition to the direct allusions spoken or spotted on screen (it’s cool that Star-Lord is familiar with a classic like The Maltese Falcon and apparently had an ALF sticker in his backpack when taken), the movie is highly influenced by past movies, with some big antecedents such as Star Wars and Raiders of the Lost Ark being too popular to bother including. And of course Guardians of the Galaxy is also reminiscent of the many followers of those two George Lucas productions. As John Gholson notes in his spot-on comic-strip review, the new Marvel movie “has more in common with Star Wars wannabes,” as he features posters for four examples: Ice Pirates, Battle Beyond the Stars, Serenity and The Last Starfighter. On top of all the movies we could urge the fans go back and watch, this release had me wanting to also do a whole list of TV series to watch after you’ve seen it. […]

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We can complain all we want, rationalize, or hope for the best, but the easiest way to stop the remake assault that studios have foisted upon audiences is not to pay for it. The studio system still hasn’t found a silver bullet for killing the monster of low attendance, and 2011 might have been the worst wake-up call they could get. Movie attendance fell by 4.4% from 2010, down to the lowest level since 1995. The problematic silver lining is that foreign sales are higher, which could result in even more broadly-appealing (and “appealing” is used generously here) movies that are generic and treat dialogue like a second-class citizen. On the losing side of the field (the one where producers aren’t having Gatorade dumped on them), are the remakes of 2011. Remakes are thought to be attractive because they come with built-in name recognition for audiences, and development has already been partially done for a story that’s already proven itself as a money-maker. For fans, they’re also infuriating because they signal both a lack of creativity coming out of an industry built on it and the potential (likely) bastardization of something we hold dear (and, yes, of course the original is still out there; it’s the principle of the thing). So it may come as pleasant news for some to see that remakes, regardless of their quality of genre, failed spectacularly at the box office this year. It’s the kind of thing that may just deter producers from trying to […]

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Year in Review: The Best Scores and Soundtracks of 2011

It has been quite the year in film, but even more so when it came to the music in those films. We got scores that pushed the envelope, soundtracks that were full of nostalgia and orchestration that could easily fit in to the 1930s. It was an eclectic year that introduced us to new talent while also reestablishing the music from existing ones. Normally when the year comes to close, I look back on the various soundtracks and scores from the films that came out and I can easily hone in on a handful that most stood out to me. 2011 was not that kind of year. With even more artists becoming composers (The Chemical Brothers and Basement Jaxx), impressive composers coming to the forefront (Cliff Martinez with his scores for The Lincoln Lawyer, Contagion and Drive, two of which made this list) and childhood favorites back on the big screen (The Muppets and Winnie the Pooh), there was a huge pool of talent and good music to choose from. And although it makes my task of rounding up the top picks more difficult, it also means films are getting filled with more and more good music – a trend I hope (and expect) will continue in 2012. But on to this year’s picks!

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The 2011 Gift Guide: Music for Movie Lovers

Welcome to The Holiday Gift Guide, our yearly stroll through all the things you absolutely should have on your Christmas list this year. To begin, we encourage you to strap on your little, tiny headphones, and get ready for more giving suggestions from your favorite Rejects. Do you have a friend or family member on your Christmas list that always has their fingers on the pulse of the music scene, making buying them anything music-related nearly impossible? Have no fear – I turned to the silver screen to find music they may not have heard from movies they might also enjoy. And, as has been the trend lately with popular artists starting to compose for film, I rounded up some current composers and the bands you may not know they started out in. Plus a few artists you may not know who have begun composing for films. This list features movies that came out this year with kick-ass soundtracks as well as albums from artists-turned-composers. If you have someone in your life that is a music lover and into movies, then this is the list for you. And if you are that person, this list may give you some ideas of what to include on your own wish list. Of course, this is not a comprehensive list, but merely suggestions to help inspire ideas and give you a jumping off point. And if there is a great suggestion I overlooked, feel free to sound off in the comments and let our […]

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The Reject Report

What? Tintin? I know what you’re thinking. “I know we had Daylight Saving Time this morning, Jeremy, but you’re taking this “time travel” business a little too far, aren’t you?” You’ve probably notice we’re still at the beginning of November and haven’t been transported magically to December 21st when The Adventures of Tintin gets its US release, and you’d be both observant and right. However, Tintin, world figure that he is, got his release in several foreign markets on October 26th-28th. The ignorant American that I am didn’t bother to address this until now. Well, here you go, foreign markets. It’s your day to shine. The Adventures of Tintin has already pulled in $125.3m in foreign territories, pretty much guaranteeing its worldwide success well before its North American release. The film is already generated income from over 5000 locations in 21 foreign markets, but most of its dollars have come from the United Kingdom and France so far. It made $21 million from France last weekend and $10.9m from the UK. Spain and Germany were also big markets for the film, pulling over $10m from the locations combined.

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The Reject Report

Yes, we know. It’s a little early to be celebrating Christmas already. It’s actually a lot early to be celebrating Christmas, but what’s good enough for the weekend box office is good enough for the Reject Report. There is a Christmas movie hitting this weekend, A Very Harold & Kumar 3D Christmas, and it’ll be looking to take dollars and laughs away from the other new release, Tower Heist. As much as we’d all like to see Brett Ratner go down in flames to the might of Harold & Kumar, that outcome might not be so foregone. Doesn’t matter to our Christmas spirit, though. We’ll still be singing carols and hanging out underneath the mistletoe. Alone. Practicing on the back of our hands. Oh, right, the box office.

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The Reject Report

Just when you thought it was safe to station video cameras in an attempt to capture the nightly doings of some nefarious supernatural entity. Oh, those pesky ghosty things and their habits of turning innocent tea parties into screaming nightmares. That’s not based on first-hand experience, by the way. My tea party days are over. Luckily for Paramount, audiences were in the mood for chills this weekend, as Paranormal Activity 3 had a dump truck of cash backed up to its haunted house doors and unloaded. The third entry in the now-never-ending series not only trounced the competition and stunned box office analysts, its broke the records for both October opening weekend and Fall opening weekend. Both of those records were previously held by last year’s Jackass 3D, which debuted to $50.3m.

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They took the stage. They did their dance. But in the end one side decided to throw mechanized punches while the other side fought a tyrannical small town with the power of fancy footwork. That is to say Real Steel took the top spot from Footloose this weekend but only by a narrow margin. When the actual numbers hit Monday evening, it could be another story altogether, but, as of right now, the robot have it for the second weekend in a row.

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This week, Fat Guy Kevin Carr gets ready to celebrate Halloween in style with some horror releases… and he’s not just thinking of Footloose. Unhappy with his life, he follows the bucket list path of Steve Martin, Owen Wilson and Jack Black, traveling to the bottom of the world where he finds himself in a small Antarctic town that has outlawed dancing. So Kevin takes it upon himself to help the people get their groove on only to discover they’ve been taken over an alien species that duplicate human form. Later, he takes a trip back to the heartland where he finds a feral woman chained in a cellar… pretty standard for some of the towns he’s been to. Finally, not being able to find a theater that is still playing Human Centipede 2 (Full Sequence), he checks it out On Demand and promptly throws up.

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When Craig Brewer was announced to direct the Footloose remake, there were a more than a few heads being scratched. The director behind the fantastic Hustle & Flow as well as the excellent fable Black Snake Moan taking on material which is considered by most to be cheesy was a surface-level surprise. But once you dig deep into the original, there are more than a few themes that tie to Brewer’s work — expressing yourself through art, family issues, sexuality, etc. There are some mature themes in the original. Themes that didn’t quite hit their mark. However, Brewer managed to make those themes fly. The 1984 film had major tonal issues. After witnessing Chris Penn have a five-minute dance montage, you see Ariel (now played by Julianne Hough) get beaten by her boyfriend. Dance montages and girlfriend beatings usually don’t go hand in hand, tonally speaking. This time around, there’s a real care for tone. Footloose is a movie that has its cake and eats it too. Apologies for that dreadful expression, but it’s true. It strives for a seriousness, which is earned. Brewer also aims to make a great crowd-pleaser, and that’s where the film exceeds wonderfully. As someone who despises not only High School kids, but also dancing, I never thought I’d say, “That’s cool,” when the two joined forces.

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The Reject Report

Some days you just have to take a step back, look around you, and – if no one is watching, in my case – cut loose. At least that’s what Paramount is hoping audiences will want to do this weekend, as their Footloose remake hits theaters far and wide. It’s going to have an uphill dance, though, as another revisit to an ’80s classic, this one a prequel, hits and those fighting robots are still out their lurking in the trash yards. Those robots won’t stomp the yard, though. That’ll be left to the teens from Bomont, Georgia. And maybe the creature in The Thing. You think it dances? You think anyone cares if it can dance while it’s taking over their body? Probably not. On with the Reject Report.

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It’s not actually shot-for-shot, but see if you can spot all of the exact replications of scenes, moments, and Drivers-License-to-chin-flipping-action that Footloose stole directly from Footloose. Write them in the comments section, and we may find prizes for people or something. As a hint, there are at least 15 similarities. This is definitely not helping my optimistic argument to give remakes a chance. You can’t just shove Stomp the Yard and Step Up into Footloose, call it Footloose, and call it a day creatively. Which of things is just like the other?

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Craig Brewer

According to Variety, Craig Brewer (of Hustle and Flow and Black Snake Moan acclaim) will be jumping on to direct and rewrite Paramount’s Footloose remake. Brewer will start casting immediately for a summer shooting start.

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chace-crawford-old-navy-01

Will the remake of Footloose also be a giant lead up to a music video? Will Kenny Loggins be informed?

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