Film School

Wes Anderson

Oh, Wes Anderson. Some have already gotten to see his latest film, Moonrise Kingdom, and even more will see it as it opens wider this weekend. Without seeing his name on the title cards, it’s easy to spot as one of his projects. The auteur has developed a look and feel all his own – usually constructed by primary colors, detailed set design, Britpop, and Bill Murray. This Texan who often lives in France is idiosyncratic in his storytelling, but he’s also unafraid to put his personal demons onto the screen (in as twee a way as possible). From Bottle Rocket to Rushmore to Fantastic Mr. Fox, his work is usually ridiculously rich and infinitely quotable. So here is a bit of free film school (for fans and filmmakers alike) from the son of an advertiser and an archeologist.



In one of the best panels in recent memory, Guillermo del Toro and Nicholas Winding Refn chose to combine their allotted time in Hall H (for Don’t Be Afraid of the Dark and Drive respectively). What resulted was a rare conversation from two unique filmmakers who transcended the normal marketing mechanism of Comic-Con to deliver some insight and information about their processes. There were many different facets to it, and they talked about their movies some of course, but ultimately it became a master class in making films. So here’s a little bit of free film school from two visionaries.



What is Movie News After Dark? It’s a nightly movie news round-up that digs and digs and keeps on diggin’ until it finds the most interesting things from around the web. Tonight it’s pretty proud of its ability to find things that it thinks you’ll like. Do enjoy. Long after it was one of the most buzzed-about movies of the 2010 Sundance Film Festival, even after packing promotional screenings at SXSW months later, Eli Craig’s horror comedy Tucker & Dale vs. Evil had no distributor. Whatever the reason, no one wanted to bring these two bumbling hillbillies to the dance. Well now that’s all history, as Magnolia Pictures has acquired it. According to their press release, they will release it into theaters on September 30, with a VOD release on August 26. Personally, I can’t wait to see it again.



Special effects master Shannon Shea continues his trip down memory lane in an attempt to find relevance in the 21st century world of movie-making… There was something I had known since I had seen Star Wars: I was going to leave the state of Louisiana to go to college. My older brother, who was a fellow film-nerd/fan/geek/whatever, had graduated in 1977 and gone to the Louisiana State University in Baton Rouge and was pretty much just miserable. True, there was a lot of drinking to do, but aside from his joining a band (he was much more into music than I was), he didn’t share his taste for genre pop culture with many of the other students. And, as a historical note, the drinking age in Louisiana at this time was 18 so being drunk on a college campus in Louisiana was as required as “Introduction to English Literature,” and the grades were easier. Needless to say that by the time I was a High School Senior, he had dropped out and worked for a salvage company. We both attended an all-male, Catholic High School in Marrero, Louisiana: Archbishop Shaw High School. It boasted being a “college prep” school, however, unless you were training to be an engineer, or a geologist, or some vocation that would keep you in a local oil field, Shaw had little to offer in those days. It did have football, which was a major focus for both the faculty and students. Not being from what […]



His next film, a remake of The Karate Kid, is the kind of movie most web-savvy movie fans might not expect much from (or might downright despise the very idea of it as another studio-insisted reboot). With those expectations, the film is sure to surprise more than a few people, and, again, Zwart will be one of the main reasons for that.

I was fortunate enough to speak with the director about a variety of topics – the beauty of China, getting Will Smith to carry sound equipment, and the possibility of getting your ass kicked by an 11 year old.



On the 16th anniversary of the first public screening of Clerks, we get personal with the man, the myth, the lunchbox as he rips his heart off his sleeve and slams it down on the table.



I had the chance to sit down with actress Bonnie Wright who plays Ginny Weasley in the Harry Potter films, and she had a lot to say about growing up in film, her character stepping up and what she loves about the filmmaking process.


Choke director Clark Gregg

For the record, Clark Gregg did not have his fly down for the entire interview.

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published: 01.31.2015
published: 01.30.2015
published: 01.30.2015
published: 01.29.2015

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