Ferris Bueller’s Day Off

Ferris Bueller TV Show

We’re still a few years away from being able to hop a quick flight into space (after our self-driving car parks itself in the terminal), but if you want to feel like you’re standing on another planet, you should watch the Ferris Bueller TV show. Created for NBC’s lineup in 1990, it’s an odd pop cultural artifact that plays like a window into an alternative universe that somehow exists in our own without melting all physical laws into shoe-ruining mud. In it, Charlie Schlatter is Ferris Bueller, Jennifer Aniston is his pissy sister Jeannie, and Richard Riehle (before he became rich inventing the Jump To Conclusions Mat) is the stuffy Principal Ed Rooney. The natural response is that these are impostors, that you’re somehow being tricked, and that instinctive mindset colors everything that the show does. It would probably be even stranger if the characters felt right while not looking right, but fortunately for everyone’s sanity, the show gets everything about continuing the Ferris Bueller’s Day Off story hilariously wrong.

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Ellen Ripley Alien

It’s one of the most frustrating phenomena in film to watch, seeing someone so clearly correct and potentially wise get shut down by the people around them because their theories or warnings seem too far-fetched. As an audience, we know that they’re right – that monster is ripe for striking the city, that megastorm is about to hit mainland any day now and that kid is up to something suspicious – but our poor, long-suffering protagonists just don’t have the luck of getting their pleas heard in time. If only people had known these crackpots were right all along. Here are 7 cinematic Cassandras.

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Over Under - Large

Ferris Bueller’s Day Off is one of those classic comedies, the kind that’s looked at as being timeless, the kind that, no matter what year it is, you can guarantee is currently being played in college dorm rooms all over the country. It works both as ’80s nostalgia and as a story that modern kids can relate to. It’s full of quotes and images that have become oft-referenced parts of our pop-culture vocabulary. But, is this tale of a lazy schemer ditching school to spend a day in Chicago with his hot girlfriend and downer of a best friend really all that funny? Or is it just one of those movies that managed to tap into the zeitgeist of its day, and then rode out its initial juice long enough that it’s become cultural comfort food due to widespread re-watches? If people remember Snow Day at all, it’s likely they remember it as a movie for kids that they didn’t bother seeing. But the few people who have seen it realize that, though it’s a film primarily aimed toward children and tweens, Snow Day is still a satisfying comedy that provides just as many laughs, memorable characters, and affecting moments as any comedy aimed at adults. Which should come as no surprise, because it was put together by a group of guys who worked on the amazing Nickelodeon show The Adventures of Pete & Pete. So, given the cult status of that show, why is it that I never hear […]

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Aural Fixation - Large

Anyone who has watched a movie or a TV show knows how important song selection and music placement can be. A well-placed song can elevate a scene whereas a misplaced song can end up being distracting. While most films enlist a composer to create the score (i.e. the emotional backbone of a project), it is the music supervisor who is tasked with placing songs alongside those composed pieces. One of my current favorite bands, M83, has started gaining some traction and, unsurprisingly, started popping up in various films and trailers. I noticed that two different songs from the band were used in two different ways recently – one in a scene in Step Up Revolution (“Wait”) and one in the trailer for Cloud Atlas (“Outro”.) One of these placements worked well (see: Cloud Atlus trailer) and one did not (see: the kissing scene in Step Up Revolution.) M83’s otherworldly, electronic sound was the perfect fit for a film like Cloud Atlus and the use of “Outro” in the film’s trailer worked to add to the emotion of the stunning visuals. Granted such a small portion of “Wait” was used in Step Up Revolution it actually cut off before the lyrics really started to come in, but the song still seemed misplaced and felt more forced than a natural accompaniment to the scene. But when a band starts getting placed everywhere, instead of just getting that music exposed to new ears, it can sometimes cause the band to become oversaturated and end up […]

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The 3rd Swing, the Accounting Assistant and the Lead Greensman couldn’t be happier for the resurgence of the after credits stinger. Finally, rightful dues can be paid! Thanks in part to the continuing expansion of the Marvel Movie Universe, tagging on one more scene after the final spate of legalese climbs up the screen is becoming common practice. There are few better ways to rouse a crowd then zing ‘em with one more late-game joke or build early anticipation for a possible sequel with a teaser scene. Plus, you make them sit through all the “Thank Yous.” Everyone wins! The post-credit is a relatively new invention – most films weren’t obligated to list the crew members’ names until the ’70s – but in a short amount of time, filmmakers have already proved that the creative possibilities of a last-minute tag are endless. Check out a few of the best post-credit scenes from the past thirty years. All the clips are fast-forwarded to the good parts:

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this stuff late at night, what do you expect?

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this stuff late at night, what do you expect?

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JohnHughesDead

The man who brought us everything from The Breakfast Club to Ferris Bueller to Home Alone died today at the age of 59. What’s your favorite Hughes film?

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bdreport-benbutton

What, last week’s Blu-ray Report posting this week? Does that mean that we get two Blu-ray Reports this week? Yes friends, it does. Try to contain yourselves.

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It’s time for girls to trade in their tube-tops for textbooks and guys to put down the dumbbells in exchange for a mental workout. Here’s 10 reasons to get your ass back in class, brought to you by some of the best films about school… and the letters FS and R.

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Ferris Bueller Dunk Shoes

In my mind there is no greater way to show off your penchant for nostalgia than to wear your favorite decade on your feet.

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