Fernando Velázquez

impossible log

I applauded composer Fernando Velázquez last year for his score for The Impossible, a film wrought with drama in which Velázquez wisely kept his music to the background rather than trying to influence the raw emotions on screen. But Velázquez’s latest project has audiences hearing a very different side of the composer – one of suspense and intrigue with his score for the Guillermo del Toro-produced Mama. Velázquez switches modes here, wasting little time bringing audiences into what del Toro described as a “fairytale gone wrong” with the first track, “The Car and the Radio” quickly putting you on the edge of your seat. Unlike his score for The Impossible, which drew audiences into the film slowly, Velázquez is at full tilt here, utilizing a full orchestra (and some ominous choral elements) which become a part of this world rather than simply keeping to the background of it.

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Aural Fixation - Large

It is devastating whenever something tragic and unexpected happens, but when tragedy hits during the holidays, normally a time of celebration and good cheer, the impact seems even greater. As a nation, we know this feeling all too well due to the recent events in Connecticut, but this was sadly not the first time an unthinkable event occurred during a time when people are usually focusing on giving thanks and looking back over the year. In 2004, a deadly tsunami hit the coast of South East Asia, demolishing buildings, land, and people caught in its path. While this kind of natural event is much different than the harm caused by a person, the emotions related to suddenly losing, or being separated from, loved ones become the universal tenants of these awful situations. The images and stories that came out in the wake of this tsunami spoke for themselves, but The Impossible adds a personal touch by taking audiences inside the experience through the real life story of a family who was vacationing over the holidays in Thailand when the unthinkable struck and their lives were forever changed. The idea of a family being physically separated by powers beyond their control is enough to bring out one’s emotions and get your pulse racing which makes the task of a composer, in this case Fernando Velázquez, all the more daunting because music is not necessary to conjure up the emotions being felt and displayed on screen.

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The Impossible

The ocean is a beautiful and terrifying body of nature that can both entice and trap. Anyone who has been caught in a riptide or had an unexpected wave suddenly crash over their heads knows the power of the ocean, and the fear it can cause if it overtakes you. When the tsunami hit Southeast Asia in 2004, we all saw the devastation that disaster caused to the area and heard about the lives lost and families torn apart because of it. Based on a true story, The Impossible goes a step further and actually takes us into the experience through the eyes of a family on an idyllic vacation that suddenly gets turned on its head. Maria (Naomi Watts) and Henry (Ewan McGregor) have traveled to Thailand with their three sons Lucas (Tom Holland), Simon (Oaklee Pendergast), and Thomas (Samuel Joslin) to spend the Christmas holiday at a luxurious resort making their biggest question whether they want to swim in the resort’s pool or the nearby ocean. The day after Christmas the entire family is out by the pool, playing and relaxing, when the tsunami hits, proving to be as unexpected as it is relentless.

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