In Death For Sale, the three best friends that anyone could ever have falter under the weight of their petty crime lives and the economic reality facing twenty-somethings in Morocco. They’re lost youth, scumming their way on the streets and in the nightclubs without any kind of direction. Writer/director Fauozi Bensaïdi‘s story picks up just as the group is beginning to diverge. Malik (Fehd Benchemsi) has fallen hard for a prostitute called Dounia (Imane Elmechrafi) despite her status as forbidden fruit. The naive Soufiane (Fouad Labied) hatches a plan to steal a rich girl’s purse that has profound, unintended consequences. The hardened Allal (Mouhcine Malzi) is determined to become a big fish in the suddenly empty drug-dealing pond. Everything should work out fine, right? Like most films from the Arab world, this one deals with 1) what it means to be a man and 2) crime. Yet, even within a sea of sameness, the film has its own statements to make and its own way of making them. Most directly, with a strong visual eye and a serpentine story where chasing dreams leaves its inhabitants out of breath standing right where they started.