Considering how much I like striped shirts, pasta, and films from controversial Greek directors, it looks like I may need to stow away in someone’s suitcase and get over to Italy next month for the 68th Venice Film Festival. The fest, which runs from August 31 to September 10, has just released their lineup for the year, and I may be speaking out of my macaroni here, but this batch of films really wets my noodle. Nathan already reported last month that George Clooney’s The Ides of March was likely to join the festival, and today’s announcement confirms that twofold – Ides will not only show at the festival, it will serve as opening night film. Other good stuff here includes Tomas Alfredson’s Tinker, Tailor, Soldier, Spy (which has one of my favorite trailers of the year), Roman Polanski’s adaptation of play God of Carnage (shortened to Carnage), Ami Canaan Mann’s Texas Killing Fields, David Cronenberg’s A Dangerous Method, Steve McQueen’s Shame, Todd Solondz’s Dark Horse, Madonna’s W.E., Steven Soderbergh’s Contagion, and Dogtooth director Yorgos Lanthimos’s Alps. In short terms, this is an incredible lineup of films that I cannot even remotely snark on, because I would probably do something violent if it meant I could go to the festival. Check out the full list of films after the break.



The opening and initial set up of Heartless is incredible. Sadly, it takes a wrong turn almost immediately afterward and slowly crawls its way deeper into a hole it can’t quite ever get out of. It’s not at all a terrible movie, but it’s the kind of movie that frustrates with how many good ideas it has that it’s unable to flesh out or capitalize on. Jim Sturgess delivers another empathetic performance as Jamie Morgan – a young man whose self-confidence is completely wracked by a heart-shaped birth mark covering the side of his face. He learns that there’s a gang of demons wandering through London creating chaos, makes a Faustian pact with a sideburned Satan, and lives to regret the decision.


Hans Zimmer

There’s a musical quality when Hans Zimmer speaks. Sometimes stammering his way through sentences, the native German sounds equal parts Rudolf Klein-Rogge and Jeremy Irons in Die Hard with a Vengeance. All of that is lifted by a sunshine sense of humor that seems to get out in front of him and lead the way. Over a three decade career, Zimmer has built a reputation for quality in film scoring. It could easily be said that he’s had the privilege of working with some of the best directors in the business, but it could just as easily be said that it is they who have had the privilege of working with him. His most recent work can be heard through the booms, haunting piano keys, and ever-present synth modulations that support Leonardo Dicaprio as he steals around the dreams of Inception. Yesterday, it was I who had the privilege of speaking with the composer about the fear inherent in every new job, the connective tissue between Japanese electropop and Russian choirs, and what he’s trying to say with his music.



Actor Bill Nighy is looking to take his turn as a charismatic old gentleman who lures a young man into a world of magic. No, it’s not the sequel to the forthcoming Sorcerer’s Apprentice! It’s a book by Peter Straub!

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published: 01.26.2015
published: 01.25.2015
published: 01.25.2015

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