This is a special edition of Short Starts, where we look at the Sundance shorts program class of 1993. 1992 and 1994 are very notable years in the history of the Sundance Film Festival. Mostly for features. In between, the 1993 event should be recognized for its short film program. It was only the second year of this section — though shorts were an increasingly significant part of the fest since 1988 — and it remains, two decades later, probably the most important (if not best) batch of short films to ever come together in Park City. Among the filmmakers receiving their first real notice in this program were Paul Thomas Anderson, Wes Anderson, David Wain, Eugene Jarecki, Tamara Jenkins, Ted Demme, Stanley Tucci (as writer/producer), Gary Fleder, Alex Sichel, Mike Mitchell and animators Eric Darnell and Matt O’Callaghan. Their early works played alongside shorts by Michael Almereyda, Lourdes Portillo and two eventual Oscar nominees, Christian Taylor‘s The Lady in Waiting and Kenneth Branagh‘s Swan Song. It is the last film that is especially relevant now because Branagh helmed the biggest new release in theaters this weekend, Jack Ryan: Shadow Recruit. That’s the latest franchise entry for the actor-turned-director, another feature that’s very far removed from his initial reputation as a filmmaker interested primarily in Shakespeare adaptations and movies with an old fashioned dramatic sensibility (I don’t care how Shakespearean his Thor movie seems, it’s still just a Thor movie).