Eran Creevy

Welcome to the Punch Trailer

For a movie made for $8.5 million, Welcome to the Punch is strikingly polished. While that’s a prominent amount of cash, writer and director Eran Creevy makes every penny count. For the brisk 93-minute running time, Creevy makes his routine thriller fresh enough to turn the gruff cop “with something to prove” and cool-minded criminal “pulled back in the game” scenario play exceedingly smoothly. When we’re first introduced to James McAvoy’s Max Lewinsky, he’s in hot pursuit of Jacob Sternwood (Mark Strong) and his goons, all of whom are dressed as suavely as possible. Max ignores orders to wait for backup — because whoever waits for backup? — and ends up chasing Sternwood by foot while his team rides off underground on dirt bikes. Max catches up with Sternwood, and the encounter goes as good as it can for the unarmed Max: he ends up with a busted kneecap. From the score to the composition, it’s a fantastic opening that establishes everything we need to know, especially the sleek style of Creevy’s film and his two leads.

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Welcome to the Punch Trailer

Over the last half-decade or so James McAvoy (Atonement, X-Men: First Class) has proven himself to be one of the most relatable young lead actors currently making a name in the film world. Conversely, Mark Strong (The Guard, Tinker Tailor Soldier Spy) has spent his time playing a steady stream of dastardly villains. What would happen if you took the positive and negative forces of these two guys’ careers? It turns out you’d get a trailer for an action movie called Welcome to the Punch, and, honestly, the results look to be pretty generic. Sure, this movie seems to be full of enough gun fights and explosions to keep your attention, and there’s a mystery about some scribblings on a hand to add some extra intrigue, but other than that Welcome to the Punch seems to be the same urban crime drama with tough cops and slick robbers scowling at each other—all presented in an icy blue color palate—that you’ve seen a thousand times before.

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