Movie Scene of 2012

Whether you loved it, hated it, or were scratching your head all the way through, Leos Carax’s Holy Motors is a memorable film. This disjointed, manic work is one of the most original and boundary-pushing movies of the year, avoiding anything resembling narrative coherence and conventional character development. It also features an amazing lead performance by Denis Lavant as a huge cast of unusual characters. While many moments in the film stand out – the motion capture sex scene, Eva Mendes’s abduction by Lavant’s sewer-dwelling goblin, Kylie Minogue’s touch of tragedy through song – perhaps the film’s most exhilarating moment was its musical intermission, in which Lavant leads a band through an old cathedral where they collectively rock out with their accordions out. Even amongst the FSR staff who weren’t as taken by this film as I was (his name rhymes with Rob Hunter), we mostly agreed that this scene stands out, even in a film (and a year of films) with many great scenes to choose from.


Culture Warrior

Synesthesia (syn-es-the-sia, Brit. syn-aes-the-sia): “The production of a sense impression relating to one sense or part of the body by stimulation of another sense or part of the body.” Synesthesia is a neurological disorder in which the experience of one sense motivates an involuntary association with another sense. Those who experience synesthesia, known as synesthetes, are able to either perceive letters or numbers as inherently colored, hear movement, or – in probably the best-known cases of the disorder – see music in the form of colors and/or associative shapes. Now, cognitive sciences seem, on the surface, to have little to do with the study of cinema, but the topic of synesthesia can be particularly helpful in understanding the way in which we interpret the interaction of the two senses most available in watching movies: the aural and the visual.

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published: 01.26.2015
published: 01.26.2015
published: 01.26.2015
published: 01.26.2015

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