Enough Said

discs header short term 12

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. Short Term 12 Grace (Brie Larson) works at a home for troubled teens, but while she’s fantastic at her job, her empathy for the kids sees her bringing home their pains far too often. Her boyfriend (John Gallagher Jr.) works there too and hopes the two of them can grow as a couple, but he knows her past has led to too much of her heart being cordoned off for the kids. Their situation grows even more untenable when a new girl arrives at the facility. Writer/director Destin Daniel Cretton‘s film is a small wonder. It’s essentially a character piece, a glimpse into the life and love of one woman and the people around her, but it’s crafted and performed so effortlessly that it feels like emotionally rich time spent laughing and crying with friends. There’s a slight misstep in the third act where the film loses sight of its characters in deference to a more conventional narrative, but it’s a minor trespass. Check out Allison’s full review here. [Blu-ray/DVD extras: Deleted scenes, behind the scenes, featurettes, original short film]


Captain Phillips

It started in January, like many movie-related things do, in a small movie theater in Park City, Utah. The Sundance Film Festival is the traditional kick-off point for new movies, artfully positioned during the first month of the year (which is a damn fine starting point for just about anything), approximately when movie lovers are starting to shake off the stupor of an awards season that’s still not quite done and exactly when the regular box office is flooded with some not-so-good stuff (I’ll be returning to non-Sundance life just as I, Frankenstein opens in theaters, and that does not please me in the slightest). To me, Sundance is the perfect film festival, with a slate that combines known talent, emerging names, and wholly unpredictable new quantities. It’s the place to go to find something new that you can talk about all year, even if it finding the latest diamond in the rough involves plenty of guesswork and keeping your eyes and ears open for good buzz. Which is all a very long way of saying that this year’s big Sundance hit, Fruitvale Station (back then, it was simply known as Fruitvale), was a last minute addition to my schedule, a shoehorned-in selection that I made time for simply because everyone told me I had to make time for it. And that’s why I found myself, in January, in a small movie theater in Park City, Utah, crying my eyes out. It was a new thing, and one that set […]


2013review_missed (1)

The 13 movies below range from the very good to the great (while the 6.5 that follow are just mostly bad), but the one thing they all share is that they each failed to find an audience during their theatrical run for one reason or another. At least one of those reasons is you of course, but instead of berating you for failing to support the films while they were in theaters and needed your help, we’re hoping to point you in their direction now to atone for your sins. But first, a few qualifications. I’ve excluded movies that played in fewer than 75 theaters since that’s the distributor’s fault, I’m not featuring films that made over $30m, and I’m not including subtitled foreign releases which the masses avoid in general. These are only films that could have had a real chance of making a lot more money than they did, so while I wish more people saw the Jared Leto-led Mr. Nobody, I’m not surprised that it only made $3,600. Finally, I’m also sharing the wealth a bit by skipping movies that will be making our Best Films of the Year list next week. So here are 13 great movies that failed to catch on at the box office but should be sought out immediately on Blu-ray/DVD, streaming, whatever… and 6.5 relatively terrible flicks that you were right to avoid.



With the mega popcorn movie season over we’re starting to see summer recap articles flooding in, and so far, most have painted summer 2013 as underwhelming or downright horrible. Maybe some of those writers just didn’t see White House Down. But, in general, this past season was packed with a variety of good-to-terrific options, from the likes of Frances Ha, Only God Forgives, and The Way, Way Back to The Great Gatsby, Fast & Furious 6, and This is the End. There were a lot of gratifying offerings. There were letdowns, too, but what summer doesn’t have a few disappointments? The same will go for this fall movie season, which, as of right now, is looking excellent. Here are 10 movies that should make going back to school, work, or whatever else you got going on a little more tolerable:



Chances are there are quite a few things that James Gandolfini is going to be remembered for as an actor. But if there’s one big thing that really defines the bulk of his performances, it’s how he was always able to let little bits of vulnerability and sensitivity shine through, even as he was mostly being defined as a hulking, physically intimidating presence. Well, one of the last films Gandolfini made before he passed away, Enough Said, seems to take those smaller aspects of his personality and bring them completely to the forefront in order to make him a romantic lead. Gone completely is that element of danger that often comes from a Gandolfini performance, and in its place is a guy who comes off as a huggable sad sack. I mean, really, just try to get through the scenes here where Julia Louis-Dreyfus is picking on him for his eating habits without wanting to pat his head and give him a balloon. It’s impossible.



It’s barely been a month since James Gandolfini died very suddenly of a heart attack, and though the world continues to mourn, the star had shot two films before he passed away, both of which await release. Today, Fox Searchlight Pictures has provided both a poster and a release date for Gandolfini’s second to last film, Enough Said. The film will hit theaters on September 20, 2013, and the poster is here.

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published: 12.19.2014
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