Encounters at the End of the World

expedition ship

When a movie as magnificent as Expedition to the End of the World comes along, it’s hard to find the right words to describe it. Awesome comes to mind, but that sounds so broad. It’s a word that has had its meaning diluted through generations of it being used to merely mean “cool.” For most people, it’s not even a good enough word by itself anymore. First it was unnecessarily given more oomph with phrases like “totally awesome,” and now it’s part of the utterly ridiculous slang expression “awesome sauce.” But the true, original definition of the word is the most fit for a documentary that delivers us to the wonder of our planet’s destruction with such amazing and daunting splendor. And in a way, it’s probably appropriate to use a word that’s lost something in its evolution. The title of the film refers to both the edge of the earth as well as its demise, and yet the journey in question is hardly one of alarm. Just as the physical end of the world is an illusion, given that it’s not flat, the temporal terminus is just a point somewhere amidst the infinity. Expedition to the End of the World follows a group of explorers sailing toward the North Pole along the Northeast coast of Greenland, a trip made possible only recently thanks to global warming, in order to study the newly exposed environment on every level. Scientists aboard the schooner Activ include a geologist, a geochemist, a marine biologist, a […]

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The supplementary title for Werner Herzog’s new documentary about capital punishment is “A Tale of Death, A Tale of Life.” These clauses are placed in a perplexing order that seems, at first, to run in reverse. However, when viewing the film, it becomes abundantly clear why life is not necessarily a linear trajectory that ends in death, with all the mutual exclusivity implied in the assumed separation of these categories. Instead, Into the Abyss argues that death is something one perpetually lives with, especially the certain knowledge of impending death in the case of state-run execution or in the memory of death when one’s loved one has been murdered. The certainty and harsh reality of death not only plagues the prisoner and the victim’s kin, but also profoundly effects a large array of individuals involved directly or indirectly with every heinous crime and execution. The timing of the release of Into the Abyss is worth noting. In September, Troy Davis was executed in the face of massive public protest and significant lingering doubts as to the fairness of his trial. Many anti-death penalty advocates saw the case as a potentially fatal blow for state-run execution, as it illuminated flaws within the system which in turn troubled capital punishment’s logic of justice. A mere two months later, the Troy Davis case has been almost completely forgotten in the public sphere as the news cycle has turned its lenses to Occupy movements and the ongoing reality show known as GOP debates. The […]

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Culture Warrior

I am not a fan of 3D. Even in the most technologically adept cases where the 3D landscape has layers of depth, even in those most “Cameronesque” of instances, I am unable to get past the gimmickry in the mode of viewing. As a human being, I’m already trained to perceive two-dimensional images in three dimensions, why would I need to attach cumbersome glasses to my face to show me a pronounced version of what I already perceive? I had never encountered a situation in which the forced depth of 3D actually added to any depth in content of the film itself. That is, until I saw Werner Herzog’s The Cave of Forgotten Dreams.

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WhiteoutBeckinsale

‘Whiteout’ is a dull thriller that never makes proper use of its Antarctic setting or Kate Beckinsale, its star.

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