Empire Records

Bill Murray Zombieland

Thanks to Marvel, post-credit sequences are not just a nice surprise, but now they’re a cinematic prerequisite. They have evolved from extra perks to a completed story, to world-building links that piece seemingly disparate movies together. Even when they take a completely different approach, like Guardians of the Galaxy does, it’s in the interest of showing Marvel’s reach, rather than nodding to the magic of the film in question. Being the glue to future films is always a risky proposition. Movies like Masters of the Universe and Young Sherlock Holmes used these sequences to tease a future that would never come. And some, like Dogma, portray promises not delivered, like Alanis Morissette’s God in that movie literally closing the book on the View Askewniverse. Will we get to a future where superheroes fall and a post-credits sequence nods to a Marvel future never realized? I don’t know. But one thing is sure: There is a great world and history of post-credits sequences outside of Marvel’s spandex and space travel – one generally dominated by comedy. We covered some a few years ago, but here are some more excellent post-credits sequences to delight in.



I spent two of my three available afternoons this weekend watching the Kristen Wiig-led anti-romantic comedy Bridesmaids. I love everything in this film from the honest exploration of emotions in a life-long female friendship to the feelings of exclusion when one person’s life seems to skyrocket towards awesome and the other one is left in the dust. But at the film’s center is a story about female friendships that are supportive and real, not destructive and solely dependent on what man is in their lives. I am excited for what the success of it says for funny women, and hopefully what it will do for the future of smart lady-driven films that are neither led by Katherine Heigl or about coming to terms with the death of a child. Previously, I crowned Lucas (Rory Cochrane) from Empire Records King Slacker Lover. But my vault full of imaginary film boyfriends does not end with the loyal yet meddlesome Lucas. Rather, there are handfuls of male characters from influential and not so influential films that make up pieces of the perfect imaginary husband pie. Men like Gone with the Wind’s Rhett Butler (Clark Gable) exemplify the ruffian with a heart of gold, while Joseph Gordon-Levitt’s Tom from (500) Days of Summer proved that men could have just as many crazy “girl” feelings as the objects of their desire. The ideal imaginary husband combines all the traits of the perfect boyfriend, while still offering something a little extra (and I’m not just talking […]


Slacker Sex God

When I look back at the films of my youth one thing remains constant—I love a 90s slacker. Tall, long-haired, ripped up jeans and cardigans falling disheveled off their shoulders. These are the men I always kept in the back of my mind as I entered the dating world. However, it wasn’t until a friend pointed it out that I realized I had such a 90s slacker fixation. To me, the characters Ethan Hawke, Christian Bale, and Rory Cochrane played in early to mid 90s films embodied everything sensual and perfect about being an adult. Especially their rejection of the adult world as it was. As I aged, I started to notice other benefits to these men. They were creative, romantic, adventurous, smoked (which always makes you sexy, no?), and most of all magnetic to everyone around them. Reality Bites’ main bad-boy Troy Dyer (Hawke) was the ultimate artist. He painted, wrote music, and left every woman swooning after him. His detachment from his best friend Lelaina (Winona Ryder) only intensified her need for him, and encouraged their eventual coitus. It wasn’t that he tried hard to get the girl, he just couldn’t keep them from coming at him. Who cared if he couldn’t hold down a job, or pay his share of the rent? Troy was always a charmer capable of surviving, and with him went my heart.


Circle of Jerks

You’ve stumbled upon Circle of Jerks, our sporadically published, weekly feature in which we ask the questions that really matter to our writers and readers. It’s a time to take a break from our busy lives and revel in the one thing that we all share: a deep, passionate love of movies. If you have a question you’d like answered by the FSR readers and staff, send us an email at editors@filmschoolrejects.com. What character do you see yourself the most in? Thanks. – Donald B.

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published: 01.28.2015
published: 01.28.2015
published: 01.28.2015
published: 01.27.2015

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