At the beginning of Stoker, India Stoker (Mia Wasikowska) tells us she can hear things more clearly than most people, a talent that is quickly apparent seeing as every noise and sound in India’s life is amplified. From the crunching sound of an egg shell to the sharpening of a pencil, Stoker‘s sound design seems to take its cues from the opening credit sequence of Dexter, by turning seemingly innocent sounds into violent ones. Stoker’s director, Park Chan-Wook, makes his American debut here, but is well-versed in creating creepy worlds where violence and passion live hand-in-hand. This world is brought to eerie life by composer Clint Mansell, who creates a score that works seamlessly with Stoker’s unique sound design, plus a catchy hip-hop influence from Emily Wells and a new piano duet by Philip Glass. India’s voiceover, which begins the film and explains her unusual talents, is captured in the soundtrack’s first track, “I’m Not Formed by Things That Are of Myself Alone” and bleeds into Wells’ “Becomes The Color,” an upbeat song with a haunting chorus and a deconstructed ending that makes it the perfect introduction to Mansell’s score. His first track, “Happy Birthday (A Death in the Family),” has a light piano refrain that directly mirrors the chorus in “Becomes The Color,” introducing the importance of piano and creating a sense that everything heard (and possibly seen) in this world is simply an extension of something else.