Ellie Kemper

A movie based on the show 21 Jump Street? Dumb, right? Well, directors Phil Lord and Chris Miller acknowledge that right out of the gate. In doing so, they’ve crafted a hilarious and whip-smart comedy with a big heart and mind. The duo didn’t make a series of a action movie references, but an actual action movie. The Jump Street program, which remains the same concept as the original television series, has been resurrected due to a “lack of imagination.” Two of the young-looking cops chosen are Schmidt (Jonah Hill) and Jenko (Channing Tatum), two wannabe badasses. Schmidt and Jenko were on opposite sides in high school: Schmidt was a juggling club loser who went through an Eminem phase, while Jenko was the popular jock. A few years later, the dynamic has changed. Schmidt and Jenko become buddies to even out each other’s respective athletic or academic weaknesses. When they’re thrown back into high school to crackdown on a drug aptly called “Holy Fucking Shit,” their friendship gets tested.  Schmidt is no longer the outcast, and Jenko quickly realizes acting like an asshole isn’t exactly cool anymore.

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What is Movie News After Dark? It’s here! And it is completely creeped out by the image above. It still loves Eugene Levy, and will continue to deliver all the best movie news and tidbits from around the web, but know that it is now uncomfortable. We begin tonight with a first look at Eugene Levy and Jason Biggs on the set of American Reunion. Over at the ad-riddled site Collider, there are a number of photos of the cast as they get back together for yet more Pie. I suppose we should be excited about this.

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Culture Warrior

Episodes and seasons and weeks after its inspiration and its humor have peaked, I still continue to watch new episodes of The Office week in and week out. I don’t know why – I never do this with dramatic shows, only with comedies – but I tend to stick with comedy shows whose legacy I appreciate even if their time has passed, either out of respect, blind hope, or simply the desire to have some noise in the room while I take a break to eat a meal or fold laundry. While The Office certainly isn’t what it used to be, even before Steve Carell left, it’s still an inoffensive and enjoyable way to pass some time. I can’t deny that the affinity I developed for the show’s characters early on in the series has carried me through a lot of its creative droughts (in other words, I hardly watch it only for its comedy) even as more recent network sitcoms like Modern Family, Community, and (especially) Parks and Recreation have made me LOL significantly more often. But in the bizarre cameos leading up to a strange and dry seventh season finale, The Office seems to have encountered much greater problems than a rudimentary lack of inspiration typical for the (possibly cyclical) lifespan of a long-running television show. The Office seems to have rejected the defining characteristics that made it unique in the first place.

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This week, Fat Guy Kevin Carr gets set for another weekend of weddings with Kristen Wiig and her posse. Sadly, he discovers that he doesn’t have a vagina and decides to move on. Next, he takes a trip to an alternate world where priests kick ass and kill vampires. Once he realizes he is woefully out of place next to sultry Maggie Q in a ninja priest outfit, he comes home to find his possessions kicked to the curb with Will Ferrell in the middle of the whole mess.

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What is Movie News After Dark? It’s a nightly movie news column that refuses to turn its back on Michael Bay and Doctor Who, but also wants to keep you interested. With that in mind, tonight is only half text. The rest if videos and pictures, sights and sounds. Only the best for your ADD-afflicted minds. The news is out, and Arnold Schwarzenegger is now being closely linked to another episode in the Terminator franchise. He and director Justin Lin are attached to a project that, for all intents and purposes, has studios like Universal, Sony and Lionsgate pulling out their big daddy checkbooks. In unrelated news, we aren’t sure that movie studios still use checkbooks. They may have moved on to direct deposit for price tags over $25 million.

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published: 12.23.2014
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published: 12.22.2014
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published: 12.19.2014
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