Ellen Burstyn

Flowers

If you are at all familiar with V.C. Andrews’ Dollanganger stories, you know that the author’s wildly popular five-book series are basically readily consumable insanity. Andrews’ sensibilities ran towards the “Gothic” and the “family saga,” and that’s never been clearer than in her wackadoo Dollanganger series, which doesn’t require reading for people to have familiarity with it. Let’s put it this way – do you remember a creepy film from your childhood in which Kristy Swanson and her siblings were locked in an attic by their evil grandmother and weak-willed mother and she eventually banged her brother in said attic? Yup, you’ve got familiarity with Flowers in the Attic, which means you’ve got familiarity with Andrews and the Dollangangers and now you quite keenly realize just what type of “family saga” Andrews liked to write about. Despite her prolific and bestselling writing career, only two Andrews books have ever been brought to the big screen – Flowers in the Attic came first with the 1987 Swanson-starring outing that also featured Louise Fletcher and Victoria Tennant, with the lesser-known Rain following in 2006. Flowers in the Attic is basically a curiousity – the attic incest film – but it’s a prime example of the taboo smut Andrews liked to peddle to the masses. It probably should have spawned at least a pair of sequels, considering the depth of material that Andrews wrote, but it’s instead a wacky footnote in film adaptation history. Until now! Flowers in the Attic is now on […]

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black:farrell

What is Casting Couch? A handy way to keep up with what all of your favorite actors are going to be up to in the coming months and years. Does that make you a stalker? Today we’ve got word on who’s the latest name to join George Clooney in Brad Bird’s mysterious Tomorrowland. Few things in the world are funnier than Jack Black kicking Will Ferrell’s dog off of a bridge, that much is certain. But take the hilarious animal cruelty out of the equation and would these two A-list comedians still be able to produce laughs together? We’re about to find out, because THR is reporting that New Line is putting together a comedy called Tag, which has them attached as co-stars. The basic story of the film comes from a “Wall Street Journal” article about ten classmates from a Washington prep school, now all in their 40s, who get together one month out of the year to play an elaborate game of tag. This conceit, of course, is just the sort of manchild nonsense that these two should be able to knock out of the park, as long as they get a script everyone likes and the thing actually comes together.

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Sally Hawkins

What is Casting Couch? It’s starting off the week right with a new round of casting announcements. Read on to find out which project is going to unite the dream team of Ellen Burstyn and Luis Guzman. Godzilla has found another puny human to knock over a building onto. Deadline is reporting that Happy Go Lucky star Sally Hawkins has just been hired to take what is being described as the last lead role in Gareth Edwards’ currently-filming Godzilla. Though Hawkins has become something of a big name in the indie world over the last decade or so, this will be her first role in a blockbuster film that utilizes big action and effects work and whatnot, so it should be interesting to see if she’s one of those actors who transitions well into doing larger scale work, or if she’s one of those actors who looks disengaged and out of place whenever they’re involved in something with a big studio label on it. You know, like James Franco.

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With Jeremy out of commission this week (possibly a victim of an diabolical ancient demon, or perhaps on vacation), I’m jumping in to highlight the commentary track on one of my favorite films. For the most part nowadays, Hollywood stays out of religion. That is, of course, until it’s time to do a movie about demonic possession, and then the otherwise secular industry suddenly finds Jesus and starts spouting dogma like red-state Tea Party patriot at Chick-Fil-A. The gold standard of demonic possession movies is William Friedkin’s chilling masterpiece The Exorcist, which remains one of the scariest movies of all time. All demonic possession movies from 1973 on borrow (or outright steal) from it in some way. This weekend, moviegoers will face demons once again in the cinemas, though The Possession taps into an older religion with a Dybbuk box from the Jewish faith. Still, odds are there are at least a few elements that owe a debt to the Catholic overtones in The Exorcist.

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Before he taught Mickey Rourke how to wrestle or Natalie Portman how to Adagio, Darren Aronofsky was showing Jared Leto how to shoot up. Requiem For a Dream was the director’s second feature film – Pi came out in 1998 – and his position as an auteur began to grow from there. Some consider Requiem Aronofsky’s best film. Regardless if you find it engaging or grotesque, there’s no denying the man’s direction on the film is something to be appreciated. Even studied. So let’s take a few minutes and hear what Aronofsky had to say about Requiem For a Dream. There’s bound to be wonderful anecdotes about the director skipping with Marlon Wayans down the Coney Island boardwalk or buying ice cream in the Central Park with Jennifer Connelly. Surely this commentary can’t include anything too serious. The movie has a giant refrigerator that dances and sings. It may be gnashing and screaming, but it’s all how you look at it, right? Anyway, let’s get into it. The uppers are about to kick in, anyway.

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When the calendar page turns to October, we Rejects have only one thought: horror. To celebrate this grandest and darkest of months, we’ll cover one excellent horror film a day for the entirety of the month. That’s 31 Days of Horror and 31 Films perfect for viewing on a dark, chilly, October night. If you, like us, love horror and Halloween, give us a Hell Yeah and keep coming every day this month for a new dose of adrenaline. Synopsis: Evil children in horror movies hit a stride in 1973 with William Friedkin’s adaptation of William Peter Blatty’s book. Famous actress Chris MacNeil (Ellen Burstyn) is in the middle of shooting a movie, but her own twelve-year-old daughter Regan MacNeil (Linda Blair) is having problems at home. It starts with weird noises in the attic and an imaginary Ouija board friend she calls Captain Howdy. However, it soon escalates, and after exhausting her medical options, Chris turns to the Catholic church. She convinces a local priest to perform an exorcism on her daughter, revealing the terrifying demon possessing her body.

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